In lieu of a formal dining room, our clients kept the dining area casual. A painted built-in bench, with custom upholstery runs along the white washed cypress wall. Custom lights by interior designer Joel Mozersky.

オレンジカウンティにある広いトランジショナルスタイルのおしゃれな独立型ダイニング (ベージュの壁、トラバーチンの床、暖炉なし) の写真

ロンドンにあるコンテンポラリースタイルのおしゃれなダイニング (コンクリートの床、グレーの壁) の写真

マイアミにある巨大なビーチスタイルのおしゃれなダイニングの照明 (白い壁、トラバーチンの床、標準型暖炉、タイルの暖炉まわり) の写真

他の地域にあるインダストリアルスタイルのおしゃれなダイニング (コンクリートの床) の写真

サンフランシスコにあるコンテンポラリースタイルのおしゃれなダイニング (朝食スペース、白い壁、コンクリートの床、グレーの床) の写真

Built in banquette dining with wrap around external planter offers wrap around views of the landscape & brings an abundance of natural light into the rear and side extensions.

ナッシュビルにある小さなカントリー風のおしゃれなダイニング (朝食スペース、グレーの壁、ラミネートの床、グレーの床、壁紙) の写真

These classic ‘Beetle’ chairs bring the warmth of the vintage sideboard and the dramatic artwork together to create an autumnal palette for this area of the space.

ニューヨークにあるラグジュアリーな広いエクレクティックスタイルのおしゃれなLDK (白い壁、トラバーチンの床、暖炉なし、白い床、折り上げ天井) の写真

We fully furnished this open concept Dining Room with an asymmetrical wood and iron base table by Taracea at its center. It is surrounded by comfortable and care-free stain resistant fabric seat dining chairs. Above the table is a custom onyx chandelier commissioned by the architect Lake Flato. We helped find the original fine artwork for our client to complete this modern space and add the bold colors this homeowner was seeking as the pop to this neutral toned room. This large original art is created by Tess Muth, San Antonio, TX.

オースティンにある小さな地中海スタイルのおしゃれなダイニング (白い壁、コンクリートの床、暖炉なし、グレーの床) の写真

ロサンゼルスにあるインダストリアルスタイルのおしゃれなLDK (白い壁、コンクリートの床、グレーの床) の写真

中くらいなコンテンポラリースタイルのおしゃれなダイニングキッチン (黒い壁、コンクリートの床、グレーの床、塗装板張りの壁) の写真

シドニーにあるコンテンポラリースタイルのおしゃれなダイニング (コンクリートの床、グレーの床) の写真

Interior - Living Room and Dining Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

Michela Melotti
ミラノにある中くらいなコンテンポラリースタイルのおしゃれなLDK (白い壁、コンクリートの床、グレーの床) の写真

Diseño interior de amplio salón comedor abierto en tonos claros, azules, rosas, blanco y madera. Gran mesa de comedor en madera de roble con pies centrales cruzados, modelo Uves, de Andreu World, para ocho personas. Sillas de diferentes modelos, todas ellas con patas de madera de roble. Sillas con respaldo de polipropileno color blanco, modelo Lottus Wood, de Enea Design. Sillas tapizadas en azul, modelo Bob, de Ondarreta. Butaquitas tapizadas en dos colores realizadas a medida. Focos de techo, apliques y lámparas colgantes en Susaeta Iluminación. Pilar recuperado de piedra natural. Diseño de biblioteca hecha a medida y lacada en azul. Alfombras a medida, de lana, de KP Alfombras. Pared azul revestida con papel pintado de Flamant. Separación de cocina y salón comedor mediante mampara corredera de cristal y perfiles de color blanco. Interruptores y bases de enchufe Gira Esprit de linóleo y multiplex. Proyecto de decoración en reforma integral de vivienda: Sube Interiorismo, Bilbao. Fotografía Erlantz Biderbost

Harshan Thomson
他の地域にある広いトロピカルスタイルのおしゃれな独立型ダイニング (白い壁、コンクリートの床、ベージュの床) の写真