中くらいなダイニング (セラミックタイルの床、コンクリートの床、ライムストーンの床、グレーの壁、白い壁) の写真
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Cathie Hong Interiors
This Australian-inspired new construction was a successful collaboration between homeowner, architect, designer and builder. The home features a Henrybuilt kitchen, butler's pantry, private home office, guest suite, master suite, entry foyer with concealed entrances to the powder bathroom and coat closet, hidden play loft, and full front and back landscaping with swimming pool and pool house/ADU.
株式会社REGARD(リガード)
トーンが統一された
シックで落ち着いた雰囲気の空間。
右横のリビングはキッズスペースになっています。
東京都下にある中くらいなインダストリアルスタイルのおしゃれなLDK (グレーの壁、コンクリートの床、グレーの床、壁紙) の写真
東京都下にある中くらいなインダストリアルスタイルのおしゃれなLDK (グレーの壁、コンクリートの床、グレーの床、壁紙) の写真
Johnson Squared Architecture + Planning
Alex Hayden
シアトルにあるお手頃価格の中くらいなトラディショナルスタイルのおしゃれなダイニングキッチン (コンクリートの床、白い壁、標準型暖炉、コンクリートの暖炉まわり、茶色い床) の写真
シアトルにあるお手頃価格の中くらいなトラディショナルスタイルのおしゃれなダイニングキッチン (コンクリートの床、白い壁、標準型暖炉、コンクリートの暖炉まわり、茶色い床) の写真
Diane Burcz Interior Design
Shelly Harrison Photography
ボストンにある中くらいなミッドセンチュリースタイルのおしゃれなLDK (白い壁、コンクリートの床、暖炉なし、グレーの床) の写真
ボストンにある中くらいなミッドセンチュリースタイルのおしゃれなLDK (白い壁、コンクリートの床、暖炉なし、グレーの床) の写真
SMG Arquitectura y Reformas
マドリードにある高級な中くらいなコンテンポラリースタイルのおしゃれなLDK (白い壁、マルチカラーの床、パネル壁、セラミックタイルの床、標準型暖炉、金属の暖炉まわり) の写真
Architecture Saville Isaacs
Interior - Living Room and Dining
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
RoomService 360
The Eliseo Contemporary Dining Table will create a luxurious and modern atmosphere while serving all practical intents. Made in Italy by Tonin Casa, Eliseo Designer Dining Table is a true furnishing object with function, beauty and style. The base offers a unique contemporary design made out of three bowed, interlocking elements that get narrower as they get closer to the top to offer a stunning multi-dimensional view through the transparent tempered glass top.
Meriwether Inc
Photography by Corey Gaffer
ミネアポリスにあるお手頃価格の中くらいな北欧スタイルのおしゃれなダイニング (白い壁、ライムストーンの床、薪ストーブ、タイルの暖炉まわり) の写真
ミネアポリスにあるお手頃価格の中くらいな北欧スタイルのおしゃれなダイニング (白い壁、ライムストーンの床、薪ストーブ、タイルの暖炉まわり) の写真
Dayna Katlin Interiors
Photo by Grey Crawford
ロサンゼルスにある中くらいな地中海スタイルのおしゃれなダイニング (白い壁、セラミックタイルの床、暖炉なし、茶色い床) の写真
ロサンゼルスにある中くらいな地中海スタイルのおしゃれなダイニング (白い壁、セラミックタイルの床、暖炉なし、茶色い床) の写真
Candice Kirby Designs
Modern Costal Dining Room. Collection of Rattan pendant lights highlight the gorgeous tongue and groove ceiling. Clean crisp white walls allow for a calm backdrop for the tiffany blue chairs to pop and the feature art to remain the focal point.
2P Raum Architekten
2P-Raum Architekten
シュトゥットガルトにある中くらいなモダンスタイルのおしゃれなダイニングキッチン (白い壁、コンクリートの床、暖炉なし、グレーの床) の写真
シュトゥットガルトにある中くらいなモダンスタイルのおしゃれなダイニングキッチン (白い壁、コンクリートの床、暖炉なし、グレーの床) の写真
ECustomFinishes
An reclaimed wood farm table can immediately bring warmth to any area that needs softening. The hard faux cement floor and the large windows call for something soft which this table does naturally. The aged patina in old wood is beautiful and is noticeably different than artificial patinas made from new wood. The painted base adds softness and is a great color compliment to the blue-grays in the floor.
中くらいなダイニング (セラミックタイルの床、コンクリートの床、ライムストーンの床、グレーの壁、白い壁) の写真
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