The main space is a single, expansive flow outward toward the sound. There is plenty of room for a dining table and seating area in addition to the kitchen. Photography: Andrew Pogue Photography.

The kitchen and breakfast area are kept simple and modern, featuring glossy flat panel cabinets, modern appliances and finishes, as well as warm woods. The dining area was also given a modern feel, but we incorporated strong bursts of red-orange accents. The organic wooden table, modern dining chairs, and artisan lighting all come together to create an interesting and picturesque interior. Project completed by New York interior design firm Betty Wasserman Art & Interiors, which serves New York City, as well as across the tri-state area and in The Hamptons. For more about Betty Wasserman, click here: https://www.bettywasserman.com/ To learn more about this project, click here: https://www.bettywasserman.com/spaces/hamptons-estate/

The kitchen and breakfast area are kept simple and modern, featuring glossy flat panel cabinets, modern appliances and finishes, as well as warm woods. The dining area was also given a modern feel, but we incorporated strong bursts of red-orange accents. The organic wooden table, modern dining chairs, and artisan lighting all come together to create an interesting and picturesque interior. Project Location: The Hamptons. Project designed by interior design firm, Betty Wasserman Art & Interiors. From their Chelsea base, they serve clients in Manhattan and throughout New York City, as well as across the tri-state area and in The Hamptons. For more about Betty Wasserman, click here: https://www.bettywasserman.com/

Interior - Living Room and Dining Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

ダラスにある中くらいなコンテンポラリースタイルのおしゃれなLDK (白い壁、コンクリートの床、標準型暖炉、コンクリートの暖炉まわり、グレーの床) の写真

Herzstück des Hauses und Treffpunkt der Familie ist der massive, naturbelassene Eichentisch. Der Kamin ist, wie der Boden, aus einer Kalkoberfläche. Über die Bar in der Durchreiche ergibt sich ein schöner räumlicher Zusammenhang mit der Küche und grosszügige Durchblicke. Foto: Sorin Morar

バンクーバーにある中くらいなコンテンポラリースタイルのおしゃれなダイニング (白い壁、コンクリートの床、標準型暖炉、コンクリートの暖炉まわり、グレーの床) の写真

William Layzell
チャネル諸島にある中くらいなコンテンポラリースタイルのおしゃれなダイニングキッチン (白い壁、セラミックタイルの床、薪ストーブ、コンクリートの暖炉まわり、グレーの床) の写真

Photography by Richard Chivers https://www.rchivers.co.uk/ Marshall House is an extension to a Grade II listed dwelling in the village of Twyford, near Winchester, Hampshire. The original house dates from the 17th Century, although it had been remodelled and extended during the late 18th Century. The clients contacted us to explore the potential to extend their home in order to suit their growing family and active lifestyle. Due to the constraints of living in a listed building, they were unsure as to what development possibilities were available. The brief was to replace an existing lean-to and 20th century conservatory with a new extension in a modern, contemporary approach. The design was developed in close consultation with the local authority as well as their historic environment department, in order to respect the existing property and work to achieve a positive planning outcome. Like many older buildings, the dwelling had been adjusted here and there, and updated at numerous points over time. The interior of the existing property has a charm and a character - in part down to the age of the property, various bits of work over time and the wear and tear of the collective history of its past occupants. These spaces are dark, dimly lit and cosy. They have low ceilings, small windows, little cubby holes and odd corners. Walls are not parallel or perpendicular, there are steps up and down and places where you must watch not to bang your head. The extension is accessed via a small link portion that provides a clear distinction between the old and new structures. The initial concept is centred on the idea of contrasts. The link aims to have the effect of walking through a portal into a seemingly different dwelling, that is modern, bright, light and airy with clean lines and white walls. However, complementary aspects are also incorporated, such as the strategic placement of windows and roof lights in order to cast light over walls and corners to create little nooks and private views. The overall form of the extension is informed by the awkward shape and uses of the site, resulting in the walls not being parallel in plan and splaying out at different irregular angles. Externally, timber larch cladding is used as the primary material. This is painted black with a heavy duty barn paint, that is both long lasting and cost effective. The black finish of the extension contrasts with the white painted brickwork at the rear and side of the original house. The external colour palette of both structures is in opposition to the reality of the interior spaces. Although timber cladding is a fairly standard, commonplace material, visual depth and distinction has been created through the articulation of the boards. The inclusion of timber fins changes the way shadows are cast across the external surface during the day. Whilst at night, these are illuminated by external lighting. A secondary entrance to the house is provided through a concealed door that is finished to match the profile of the cladding. This opens to a boot/utility room, from which a new shower room can be accessed, before proceeding to the new open plan living space and dining area.

Photo: Studio Zerbey Architecture
シアトルにある高級な中くらいなモダンスタイルのおしゃれなダイニング (マルチカラーの壁、コンクリートの床、薪ストーブ、コンクリートの暖炉まわり、グレーの床) の写真

Herbert Stolz, Regensburg
ミュンヘンにあるお手頃価格の中くらいなコンテンポラリースタイルのおしゃれなダイニングキッチン (コンクリートの床、両方向型暖炉、白い壁、コンクリートの暖炉まわり、グレーの床) の写真

Two family homes capturing south westerly sea views of West Beach. The soaring entrance features an open oak staircase and bridge through the void channels light and sea breezes deep into the home. These homes have simple color and material palette that replicates the neutral warm tones of the sand dunes.

Photo: Studio Zerbey Architecture
シアトルにある高級な中くらいなモダンスタイルのおしゃれなダイニング (マルチカラーの壁、コンクリートの床、薪ストーブ、コンクリートの暖炉まわり、グレーの床) の写真

William Layzell
チャネル諸島にある中くらいなコンテンポラリースタイルのおしゃれなダイニングキッチン (白い壁、セラミックタイルの床、薪ストーブ、コンクリートの暖炉まわり、グレーの床) の写真

Dining Room
他の地域にあるラグジュアリーな中くらいなモダンスタイルのおしゃれなLDK (グレーの壁、磁器タイルの床、両方向型暖炉、コンクリートの暖炉まわり、グレーの床) の写真

New #contemporary #designs #lights #light #lightdesign #interiordesign #couches #interiordesigner #interior #architecture #mainlinepa #montco #makeitmontco #conshy #balacynwyd #gladwynepa #home #designinspiration #manayunk #flowers #nature #philadelphia #chandelier #pendants #detailslighting #furniture #chairs #vintage

Photography by Richard Chivers https://www.rchivers.co.uk/ Marshall House is an extension to a Grade II listed dwelling in the village of Twyford, near Winchester, Hampshire. The original house dates from the 17th Century, although it had been remodelled and extended during the late 18th Century. The clients contacted us to explore the potential to extend their home in order to suit their growing family and active lifestyle. Due to the constraints of living in a listed building, they were unsure as to what development possibilities were available. The brief was to replace an existing lean-to and 20th century conservatory with a new extension in a modern, contemporary approach. The design was developed in close consultation with the local authority as well as their historic environment department, in order to respect the existing property and work to achieve a positive planning outcome. Like many older buildings, the dwelling had been adjusted here and there, and updated at numerous points over time. The interior of the existing property has a charm and a character - in part down to the age of the property, various bits of work over time and the wear and tear of the collective history of its past occupants. These spaces are dark, dimly lit and cosy. They have low ceilings, small windows, little cubby holes and odd corners. Walls are not parallel or perpendicular, there are steps up and down and places where you must watch not to bang your head. The extension is accessed via a small link portion that provides a clear distinction between the old and new structures. The initial concept is centred on the idea of contrasts. The link aims to have the effect of walking through a portal into a seemingly different dwelling, that is modern, bright, light and airy with clean lines and white walls. However, complementary aspects are also incorporated, such as the strategic placement of windows and roof lights in order to cast light over walls and corners to create little nooks and private views. The overall form of the extension is informed by the awkward shape and uses of the site, resulting in the walls not being parallel in plan and splaying out at different irregular angles. Externally, timber larch cladding is used as the primary material. This is painted black with a heavy duty barn paint, that is both long lasting and cost effective. The black finish of the extension contrasts with the white painted brickwork at the rear and side of the original house. The external colour palette of both structures is in opposition to the reality of the interior spaces. Although timber cladding is a fairly standard, commonplace material, visual depth and distinction has been created through the articulation of the boards. The inclusion of timber fins changes the way shadows are cast across the external surface during the day. Whilst at night, these are illuminated by external lighting. A secondary entrance to the house is provided through a concealed door that is finished to match the profile of the cladding. This opens to a boot/utility room, from which a new shower room can be accessed, before proceeding to the new open plan living space and dining area.

Andrew Fyfe
バンクーバーにある中くらいなコンテンポラリースタイルのおしゃれなダイニングキッチン (白い壁、コンクリートの床、両方向型暖炉、グレーの床、コンクリートの暖炉まわり) の写真

This home features unique Mid-Century architecture, with high ceilings and wood beams. It was important to keep the staging simple and functional and of course focus on a Mid-Century Modern look and feel. The furniture selection of this home is uncluttered with sleek lines both organic and geometric forms along with minimal ornamentation.