Dining rooms don't have to be overly formal and stuffy. We especially love the custom credenza and the Sarus Mobile ©David Lauer Photography
デンバーにある中くらいなラスティックスタイルのおしゃれなダイニングキッチン (白い壁、無垢フローリング、標準型暖炉、コンクリートの暖炉まわり) の写真

On one side of the Living Room, a bamboo games table with coordinating chairs and custom cushions provides an ideal space for family time. Project by Portland interior design studio Jenni Leasia Interior Design. Also serving Lake Oswego, West Linn, Vancouver, Sherwood, Camas, Oregon City, Beaverton, and the whole of Greater Portland. For more about Jenni Leasia Interior Design, click here: https://www.jennileasiadesign.com/ To learn more about this project, click here: https://www.jennileasiadesign.com/crystal-springs

Colourful open plan living dining area.
エセックスにある高級な中くらいなコンテンポラリースタイルのおしゃれなLDK (グレーの壁、クッションフロア、吊り下げ式暖炉、木材の暖炉まわり、グレーの床、白い天井) の写真

Interior - Living Room and Dining Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

The kitchen is seen from the foyer and the family room. We kept it warm and comfortable while still having a bit of bling. We did an extra thick countertop on the island and a custom metal hood over the stove.

Custom bi-fold French Doors separate the Family Room and Kitchen from the Living/Dining Room. The doors fold flat when open to create a generous opening between the formal and informal areas.

オックスフォードシャーにある小さなカントリー風のおしゃれなLDK (白い壁、無垢フローリング、両方向型暖炉、木材の暖炉まわり、ベージュの床) の写真

ニューオリンズにある中くらいなトランジショナルスタイルのおしゃれなダイニング (白い壁、無垢フローリング、標準型暖炉、茶色い床、木材の暖炉まわり) の写真

Photo : BCDF Studio
パリにある高級な中くらいなコンテンポラリースタイルのおしゃれなLDK (白い壁、淡色無垢フローリング、標準型暖炉、木材の暖炉まわり、ベージュの床) の写真

サンフランシスコにある高級な中くらいなモダンスタイルのおしゃれなLDK (コーナー設置型暖炉、木材の暖炉まわり) の写真

バンクーバーにある高級な中くらいなモダンスタイルのおしゃれなLDK (白い壁、無垢フローリング、標準型暖炉、コンクリートの暖炉まわり) の写真

Ship Lap Ceiling, Exposed beams Minwax Ebony. Walls Benjamin Moore Alabaster
ニューヨークにある高級な中くらいなカントリー風のおしゃれなLDK (白い壁、無垢フローリング、標準型暖炉、木材の暖炉まわり、茶色い床、三角天井、塗装板張りの壁、白い天井) の写真

デンバーにある中くらいなコンテンポラリースタイルのおしゃれなLDK (白い壁、無垢フローリング、標準型暖炉、木材の暖炉まわり、茶色い床) の写真

Treve Johnson
サンフランシスコにある中くらいなミッドセンチュリースタイルのおしゃれなLDK (茶色い壁、濃色無垢フローリング、標準型暖炉、コンクリートの暖炉まわり、茶色い床) の写真

Cofferred ceiling beams by the Woodbeam Company. Finely crafted real wood box beams that are light weight, easy to install and cost effective. Supplying western Canada. Beams finished in a partial reclaimed texture.

シドニーにある高級な中くらいなインダストリアルスタイルのおしゃれなLDK (白い壁、淡色無垢フローリング、標準型暖炉、コンクリートの暖炉まわり、茶色い床、表し梁、レンガ壁) の写真

Dining Room, Photo by Peter Murdock
ニューヨークにある中くらいなトラディショナルスタイルのおしゃれな独立型ダイニング (白い壁、淡色無垢フローリング、標準型暖炉、木材の暖炉まわり、ベージュの床) の写真

Our clients were also looking for a large dining room that was open to the rest of the home and perfect for big family gatherings. So, we removed what had been a small family room and eat-in dining area to create a spacious dining room with a fireplace and bar. We added custom cabinetry to the bar area with open shelving for displaying and designed a custom surround for their fireplace that ties in with the wood work we designed for their living room. We brought in the tones and materiality from the kitchen to unite the spaces and added a mixed metal light fixture to bring the space together

Mark Woods
シアトルにある中くらいなミッドセンチュリースタイルのおしゃれなLDK (無垢フローリング、白い壁、標準型暖炉、コンクリートの暖炉まわり、茶色い床) の写真