オースティンにある高級な中くらいなラスティックスタイルのおしゃれなダイニングキッチン (茶色い壁、コンクリートの床、標準型暖炉、石材の暖炉まわり、黒い床、板張り天井、板張り壁) の写真

Wolf House is a contemporary home designed for flexible, easy living for a young family of 5. The spaces have multi use and the large home has a connection through its void space allowing all family members to be in touch with each other. The home boasts excellent energy efficiency and a clear view of the sky from every single room in the house.

ボルチモアにある高級な広いコンテンポラリースタイルのおしゃれなダイニング (コンクリートの床、グレーの壁、吊り下げ式暖炉、金属の暖炉まわり、グレーの床) の写真

Offenes, mittelgroßes modernes Esszimmer / Wohnzimmer mit Sichtbetonwänden und hellgrauem Boden in Betonoptik. Kamin als Trennelement zu kleiner Bibliothek. Fotograf: Ralf Dieter Bischoff

カンザスシティにあるラスティックスタイルのおしゃれなLDK (茶色い壁、コンクリートの床、標準型暖炉、石材の暖炉まわり、茶色い床、三角天井) の写真

The open concept living room and dining room offer panoramic views of the property with lounging comfort from every seat inside.
ミルウォーキーにあるお手頃価格の中くらいなラスティックスタイルのおしゃれなLDK (グレーの壁、コンクリートの床、薪ストーブ、石材の暖炉まわり、グレーの床、三角天井、板張り壁) の写真

Interior - Living Room and Dining Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

Metal pipe furniture and metal dining chairs Photography by Lynn Donaldson
他の地域にある高級な広いインダストリアルスタイルのおしゃれなLDK (グレーの壁、コンクリートの床、石材の暖炉まわり) の写真

Una ristrutturazione leggera per questo appartamento in centro storico. resina industriale grigia a pavimento, tante piante da appartamento e tante grafiche in parete nelle opere d'arte dell'artista Power Notte Tappeto in fibra naturale, tavolo in cemento spatolato

Breathtaking views of the incomparable Big Sur Coast, this classic Tuscan design of an Italian farmhouse, combined with a modern approach creates an ambiance of relaxed sophistication for this magnificent 95.73-acre, private coastal estate on California’s Coastal Ridge. Five-bedroom, 5.5-bath, 7,030 sq. ft. main house, and 864 sq. ft. caretaker house over 864 sq. ft. of garage and laundry facility. Commanding a ridge above the Pacific Ocean and Post Ranch Inn, this spectacular property has sweeping views of the California coastline and surrounding hills. “It’s as if a contemporary house were overlaid on a Tuscan farm-house ruin,” says decorator Craig Wright who created the interiors. The main residence was designed by renowned architect Mickey Muenning—the architect of Big Sur’s Post Ranch Inn, —who artfully combined the contemporary sensibility and the Tuscan vernacular, featuring vaulted ceilings, stained concrete floors, reclaimed Tuscan wood beams, antique Italian roof tiles and a stone tower. Beautifully designed for indoor/outdoor living; the grounds offer a plethora of comfortable and inviting places to lounge and enjoy the stunning views. No expense was spared in the construction of this exquisite estate.

Gerald Eysaman
シアトルにある高級な巨大なラスティックスタイルのおしゃれなLDK (茶色い壁、コンクリートの床、標準型暖炉、石材の暖炉まわり) の写真

Architect: Steven Bull, Workshop AD Photography By: Kevin G. Smith “Like the integration of interior with exterior spaces with materials. Like the exterior wood panel details. The interior spaces appear to negotiate the angles of the house well. Takes advantage of treetop location without ostentation.” This project involved the redesign and completion of a partially constructed house on the Upper Hillside in Anchorage, Alaska. Construction of the underlying steel structure had ceased for more than five years, resulting in significant technical and organizational issues that needed to be resolved in order for the home to be completed. Perched above the landscape, the home stretches across the hillside like an extended tree house. An interior atmosphere of natural lightness was introduced to the home. Inspiration was pulled from the surrounding landscape to make the home become part of that landscape and to feel at home in its surroundings. Surfaces throughout the structure share a common language of articulated cladding with walnut panels, stone and concrete. The result is a dissolved separation of the interior and exterior. There was a great need for extensive window and door products that had the required sophistication to make this project complete. And Marvin products were the perfect fit. MARVIN PRODUCTS USED: Integrity Inswing French Door Integrity Outswing French Door Integrity Sliding French Door Marvin Ultimate Awning Window Marvin Ultimate Casement Window Marvin Ultimate Sliding French Door Marvin Ultimate Swinging French Door

広いコンテンポラリースタイルのおしゃれなLDK (グレーの壁、コンクリートの床、横長型暖炉、漆喰の暖炉まわり、グレーの床) の写真

george lemaire
ヒューストンにある広いラスティックスタイルのおしゃれなLDK (グレーの壁、コンクリートの床、標準型暖炉、石材の暖炉まわり) の写真

ロサンゼルスにある中くらいなミッドセンチュリースタイルのおしゃれなダイニング (グレーの壁、コンクリートの床、標準型暖炉、石材の暖炉まわり、白い床) の写真

Dining room with custom tray ceiling.
他の地域にあるコンテンポラリースタイルのおしゃれなダイニング (グレーの壁、コンクリートの床、コンクリートの暖炉まわり、黒い床) の写真

This 4 bedroom (2 en suite), 4.5 bath home features vertical board–formed concrete expressed both outside and inside, complemented by exposed structural steel, Western Red Cedar siding, gray stucco, and hot rolled steel soffits. An outdoor patio features a covered dining area and fire pit. Hydronically heated with a supplemental forced air system; a see-through fireplace between dining and great room; Henrybuilt cabinetry throughout; and, a beautiful staircase by MILK Design (Chicago). The owner contributed to many interior design details, including tile selection and layout.

他の地域にあるトランジショナルスタイルのおしゃれなLDK (グレーの壁、コンクリートの床、標準型暖炉、石材の暖炉まわり、グレーの床) の写真

Cathedral ceilings and seamless cabinetry complement this kitchen’s river view The low ceilings in this ’70s contemporary were a nagging issue for the 6-foot-8 homeowner. Plus, drab interiors failed to do justice to the home’s Connecticut River view. By raising ceilings and removing non-load-bearing partitions, architect Christopher Arelt was able to create a cathedral-within-a-cathedral structure in the kitchen, dining and living area. Decorative mahogany rafters open the space’s height, introduce a warmer palette and create a welcoming framework for light. The homeowner, a Frank Lloyd Wright fan, wanted to emulate the famed architect’s use of reddish-brown concrete floors, and the result further warmed the interior. “Concrete has a connotation of cold and industrial but can be just the opposite,” explains Arelt. Clunky European hardware was replaced by hidden pivot hinges, and outside cabinet corners were mitered so there is no evidence of a drawer or door from any angle.