Interior - Living Room and Dining Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

The brief for this project was for the house to be at one with its surroundings. Integrating harmoniously into its coastal setting a focus for the house was to open it up to allow the light and sea breeze to breathe through the building. The first floor seems almost to levitate above the landscape by minimising the visual bulk of the ground floor through the use of cantilevers and extensive glazing. The contemporary lines and low lying form echo the rolling country in which it resides.

ミュンヘンにある高級な広い北欧スタイルのおしゃれなLDK (白い壁、コンクリートの床、薪ストーブ、コンクリートの暖炉まわり、白い床、板張り天井) の写真

オレンジカウンティにある広いコンテンポラリースタイルのおしゃれな独立型ダイニング (白い壁、横長型暖炉、木材の暖炉まわり、ベージュの床、コンクリートの床) の写真

ロサンゼルスにある地中海スタイルのおしゃれなダイニング (白い壁、テラコッタタイルの床、タイルの暖炉まわり、オレンジの床) の写真

Michel DENANCÉ
パリにある広いコンテンポラリースタイルのおしゃれなダイニング (白い壁、コンクリートの床、薪ストーブ、金属の暖炉まわり) の写真

Sliding and pocketing doors by Fleetwood enable the interior space of the dining, kitchen, and family room and the exterior space of the balcony to flow as one space capturing the view of Camelback Mountain beyond. Bill Timmerman - Timmerman Photography

Number 16 Project. Linking Heritage Georgian architecture to modern. Inside it's all about robust interior finishes softened with layers of texture and materials. This is the open plan living, kitchen and dining area. FLowing to the outdoor alfresco.

軽井沢　森を包む家｜Studio tanpopo-gumi 撮影｜野口 兼史
他の地域にあるモダンスタイルのおしゃれなダイニング (白い壁、塗装フローリング、薪ストーブ、石材の暖炉まわり、グレーの床) の写真

Dining and living of this rustic cottage by Sisson Dupont and Carder. Neutral and grays.
他の地域にある小さなラスティックスタイルのおしゃれなLDK (グレーの壁、塗装フローリング、標準型暖炉、石材の暖炉まわり、茶色い床) の写真

This open concept dining room not only is open to the kitchen and living room but also flows out to sprawling decks overlooking Silicon Valley. The weathered wood table and custom veneer millwork are juxtaposed against the sleek nature of the polished concrete floors and metal detailing on the custom fireplace.

Metal pipe furniture and metal dining chairs Photography by Lynn Donaldson
他の地域にある高級な広いインダストリアルスタイルのおしゃれなLDK (グレーの壁、コンクリートの床、石材の暖炉まわり) の写真

Rory Robertson
ロンドンにあるエクレクティックスタイルのおしゃれなダイニング (黒い壁、塗装フローリング、標準型暖炉、石材の暖炉まわり、グレーの床) の写真

Open plan living room has high clerestory windows that vent hot air providing a passive cooling effect. Photo by Prakash Patel
リッチモンドにある小さなモダンスタイルのおしゃれなLDK (白い壁、コンクリートの床、標準型暖炉、石材の暖炉まわり) の写真

シュトゥットガルトにあるモダンスタイルのおしゃれなLDK (白い壁、コンクリートの床、薪ストーブ、漆喰の暖炉まわり、グレーの床) の写真

パリにある高級な広いトランジショナルスタイルのおしゃれなダイニングの照明 (白い壁、塗装フローリング、標準型暖炉、石材の暖炉まわり、白い床) の写真

ミュンヘンにある高級な中くらいな北欧スタイルのおしゃれなLDK (白い壁、コンクリートの床、薪ストーブ、漆喰の暖炉まわり、グレーの床、板張り天井) の写真

ルアーブルにある高級な中くらいなトランジショナルスタイルのおしゃれなLDK (白い壁、テラコッタタイルの床、標準型暖炉、石材の暖炉まわり、ピンクの床、表し梁) の写真

Danny Piassick
ダラスにあるラグジュアリーな広いミッドセンチュリースタイルのおしゃれなLDK (ベージュの壁、コンクリートの床、標準型暖炉、レンガの暖炉まわり、グレーの床) の写真