オースティンにある高級な中くらいなラスティックスタイルのおしゃれなダイニングキッチン (茶色い壁、コンクリートの床、標準型暖炉、石材の暖炉まわり、黒い床、板張り天井、板張り壁) の写真

The cabin typology redux came out of the owner’s desire to have a house that is warm and familiar, but also “feels like you are on vacation.” The basis of the “Hewn House” design starts with a cabin’s simple form and materiality: a gable roof, a wood-clad body, a prominent fireplace that acts as the hearth, and integrated indoor-outdoor spaces. However, rather than a rustic style, the scheme proposes a clean-lined and “hewned” form, sculpted, to best fit on its urban infill lot. The plan and elevation geometries are responsive to the unique site conditions. Existing prominent trees determined the faceted shape of the main house, while providing shade that projecting eaves of a traditional log cabin would otherwise offer. Deferring to the trees also allows the house to more readily tuck into its leafy East Austin neighborhood, and is therefore more quiet and secluded. Natural light and coziness are key inside the home. Both the common zone and the private quarters extend to sheltered outdoor spaces of varying scales: the front porch, the private patios, and the back porch which acts as a transition to the backyard. Similar to the front of the house, a large cedar elm was preserved in the center of the yard. Sliding glass doors open up the interior living zone to the backyard life while clerestory windows bring in additional ambient light and tree canopy views. The wood ceiling adds warmth and connection to the exterior knotted cedar tongue & groove. The iron spot bricks with an earthy, reddish tone around the fireplace cast a new material interest both inside and outside. The gable roof is clad with standing seam to reinforced the clean-lined and faceted form. Furthermore, a dark gray shade of stucco contrasts and complements the warmth of the cedar with its coolness. A freestanding guest house both separates from and connects to the main house through a small, private patio with a tall steel planter bed. Photo by Charles Davis Smith

debra szidon
サンフランシスコにある高級な中くらいなトランジショナルスタイルのおしゃれなダイニングキッチン (緑の壁、コンクリートの床、標準型暖炉、レンガの暖炉まわり、緑の床) の写真

Wood plank ceilings carry from the inside of this home through the glass walls to the exterior overhangs, making the spaces feel like they have no boundaries. Forever views compete with the art collection inside this home, and colors are vibrant.

Le mobilier de cuisine fabriqué sur mesure surmonté d'un plan de travail en orme galeux massif.
パリにある高級な中くらいなカントリー風のおしゃれな独立型ダイニング (ベージュの壁、テラコッタタイルの床、標準型暖炉、積石の暖炉まわり、赤い床、表し梁) の写真

ジーロングにある中くらいなトロピカルスタイルのおしゃれなLDK (白い壁、コンクリートの床、標準型暖炉、漆喰の暖炉まわり、グレーの床、三角天井) の写真

Werner Huthmacher
ライプツィヒにある中くらいなコンテンポラリースタイルのおしゃれなダイニング (白い壁、コンクリートの床、標準型暖炉) の写真

The public area of the house is one open space where the dining room, family room, kitchen, and a large kitchen island coexist. Polished Wenge millwork, white marble, and terrazzo floors contrast the rawness of the exterior concrete, CMU, and weathered steel. Bill Timmerman - Timmerman Photography

Dylan Lark - Photographer
メルボルンにある中くらいなコンテンポラリースタイルのおしゃれなLDK (白い壁、コンクリートの床、標準型暖炉、レンガの暖炉まわり) の写真

Interior - Living Room and Dining Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

ニューヨークにあるお手頃価格の中くらいなサンタフェスタイルのおしゃれな独立型ダイニング (ベージュの壁、テラコッタタイルの床、標準型暖炉、漆喰の暖炉まわり) の写真

ダラスにある中くらいなコンテンポラリースタイルのおしゃれなLDK (白い壁、コンクリートの床、標準型暖炉、コンクリートの暖炉まわり、グレーの床) の写真

Porter Fuqua
ダラスにある高級な中くらいなトラディショナルスタイルのおしゃれなLDK (ベージュの壁、標準型暖炉、漆喰の暖炉まわり、ベージュの床、テラコッタタイルの床) の写真

Dining Room in open plan living space
キャンベラにある高級な中くらいなコンテンポラリースタイルのおしゃれなLDK (青い壁、コンクリートの床、標準型暖炉、石材の暖炉まわり、グレーの床) の写真

Formal Dining with easy access to the kitchen and pantry.
他の地域にある高級な中くらいなミッドセンチュリースタイルのおしゃれなダイニングキッチン (白い壁、コンクリートの床、標準型暖炉、タイルの暖炉まわり、グレーの床、表し梁) の写真

Alex Hayden
シアトルにあるお手頃価格の中くらいなトラディショナルスタイルのおしゃれなダイニングキッチン (コンクリートの床、白い壁、標準型暖炉、コンクリートの暖炉まわり、茶色い床) の写真

バンクーバーにある中くらいなコンテンポラリースタイルのおしゃれなダイニング (白い壁、コンクリートの床、標準型暖炉、コンクリートの暖炉まわり、グレーの床) の写真

Rénovation d'un appartement de 60m2 sur l'île Saint-Louis à Paris. 2019 Photos Laura Jacques Design Charlotte Féquet
パリにあるお手頃価格の中くらいなコンテンポラリースタイルのおしゃれなダイニング (白い壁、テラコッタタイルの床、標準型暖炉、タイルの暖炉まわり、赤い床) の写真

Rustic Modern stone house. House is one room. This 120 year old one room stone cabin features real rock walls and fireplace in a simple rectangle with real handscraped exposed beams. Old concrete floor, from who knows when? The stainless steel kitchen is new, everything is under counter, there are no upper cabinets at all. Antique butcher block sits on stainless steel cabinet, and an old tire chain found on the old farm is the hanger for the cooking utensils. Concrete counters and sink. Designed by Maraya Interior Design for their best friend, Paul Hendershot, landscape designer. You can see more about this wonderful cottage on Design Santa Barbara show, featuring the designers Maraya and Auriel Entrekin. All designed by Maraya Interior Design. From their beautiful resort town of Ojai, they serve clients in Montecito, Hope Ranch, Malibu, Westlake and Calabasas, across the tri-county areas of Santa Barbara, Ventura and Los Angeles, south to Hidden Hills- north through Solvang and more.