ニューヨークにあるコンテンポラリースタイルのおしゃれなLDK (白い壁、コンクリートの床、標準型暖炉、グレーの床、三角天井) の写真

ロンドンにある広いモダンスタイルのおしゃれなダイニング (白い壁、コンクリートの床、標準型暖炉、グレーの床) の写真

ダラスにある中くらいなコンテンポラリースタイルのおしゃれなLDK (白い壁、コンクリートの床、標準型暖炉、コンクリートの暖炉まわり、グレーの床) の写真

Ulrike Harbach
ドルトムントにあるラグジュアリーな広いコンテンポラリースタイルのおしゃれなLDK (白い壁、セラミックタイルの床、標準型暖炉、漆喰の暖炉まわり、グレーの床) の写真

メルボルンにある高級な広いミッドセンチュリースタイルのおしゃれなLDK (白い壁、コンクリートの床、標準型暖炉、石材の暖炉まわり、グレーの床) の写真

The cabin typology redux came out of the owner’s desire to have a house that is warm and familiar, but also “feels like you are on vacation.” The basis of the “Hewn House” design starts with a cabin’s simple form and materiality: a gable roof, a wood-clad body, a prominent fireplace that acts as the hearth, and integrated indoor-outdoor spaces. However, rather than a rustic style, the scheme proposes a clean-lined and “hewned” form, sculpted, to best fit on its urban infill lot. The plan and elevation geometries are responsive to the unique site conditions. Existing prominent trees determined the faceted shape of the main house, while providing shade that projecting eaves of a traditional log cabin would otherwise offer. Deferring to the trees also allows the house to more readily tuck into its leafy East Austin neighborhood, and is therefore more quiet and secluded. Natural light and coziness are key inside the home. Both the common zone and the private quarters extend to sheltered outdoor spaces of varying scales: the front porch, the private patios, and the back porch which acts as a transition to the backyard. Similar to the front of the house, a large cedar elm was preserved in the center of the yard. Sliding glass doors open up the interior living zone to the backyard life while clerestory windows bring in additional ambient light and tree canopy views. The wood ceiling adds warmth and connection to the exterior knotted cedar tongue & groove. The iron spot bricks with an earthy, reddish tone around the fireplace cast a new material interest both inside and outside. The gable roof is clad with standing seam to reinforced the clean-lined and faceted form. Furthermore, a dark gray shade of stucco contrasts and complements the warmth of the cedar with its coolness. A freestanding guest house both separates from and connects to the main house through a small, private patio with a tall steel planter bed. Photo by Charles Davis Smith

Esszimmer in ehemaliger Bauerkate modern renoviert mit sichtbaren Stahlträgern. Blick auf den alten Kamin
ハンブルクにある低価格の広いカントリー風のおしゃれなLDK (白い壁、コンクリートの床、標準型暖炉、漆喰の暖炉まわり、グレーの床、三角天井) の写真

Rénovation complète pour cet appartement secondaire situé aux pieds des pistes, ambiance épuré et scandinave.
トゥールーズにあるお手頃価格の中くらいな北欧スタイルのおしゃれなLDK (白い壁、セラミックタイルの床、標準型暖炉、グレーの床、表し梁) の写真

Jim Westphalen Photographs
ボストンにある高級な中くらいなモダンスタイルのおしゃれなLDK (セラミックタイルの床、標準型暖炉、グレーの床) の写真

ジーロングにある中くらいなトロピカルスタイルのおしゃれなLDK (白い壁、コンクリートの床、標準型暖炉、漆喰の暖炉まわり、グレーの床、三角天井) の写真

Interior - Living Room and Dining Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

L+M's ADU is a basement converted to an accessory dwelling unit (ADU) with exterior & main level access, wet bar, living space with movie center & ethanol fireplace, office divided by custom steel & glass "window" grid, guest bathroom, & guest bedroom. Along with an efficient & versatile layout, we were able to get playful with the design, reflecting the whimsical personalties of the home owners. credits design: Matthew O. Daby - m.o.daby design interior design: Angela Mechaley - m.o.daby design construction: Hammish Murray Construction custom steel fabricator: Flux Design reclaimed wood resource: Viridian Wood photography: Darius Kuzmickas - KuDa Photography

Rory Robertson
ロンドンにあるエクレクティックスタイルのおしゃれなダイニング (黒い壁、塗装フローリング、標準型暖炉、石材の暖炉まわり、グレーの床) の写真

Dining Room in open plan living space
キャンベラにある高級な中くらいなコンテンポラリースタイルのおしゃれなLDK (青い壁、コンクリートの床、標準型暖炉、石材の暖炉まわり、グレーの床) の写真

他の地域にあるお手頃価格の小さなコンテンポラリースタイルのおしゃれなダイニングキッチン (白い壁、セラミックタイルの床、標準型暖炉、石材の暖炉まわり、グレーの床) の写真

Formal Dining with easy access to the kitchen and pantry.
他の地域にある高級な中くらいなミッドセンチュリースタイルのおしゃれなダイニングキッチン (白い壁、コンクリートの床、標準型暖炉、タイルの暖炉まわり、グレーの床、表し梁) の写真

@Lumitrix
ロンドンにあるトラディショナルスタイルのおしゃれなダイニング (赤い壁、コンクリートの床、標準型暖炉、グレーの床) の写真

バンクーバーにある中くらいなコンテンポラリースタイルのおしゃれなダイニング (白い壁、コンクリートの床、標準型暖炉、コンクリートの暖炉まわり、グレーの床) の写真

パースにある高級な広いコンテンポラリースタイルのおしゃれなLDK (白い壁、コンクリートの床、標準型暖炉、金属の暖炉まわり、グレーの床) の写真