中くらいなコンテンポラリースタイルの家の外観 (コンクリートサイディング、コンクリート繊維板サイディング) の写真
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Vision Interiors
As a conceptual urban infill project, the Wexley is designed for a narrow lot in the center of a city block. The 26’x48’ floor plan is divided into thirds from front to back and from left to right. In plan, the left third is reserved for circulation spaces and is reflected in elevation by a monolithic block wall in three shades of gray. Punching through this block wall, in three distinct parts, are the main levels windows for the stair tower, bathroom, and patio. The right two-thirds of the main level are reserved for the living room, kitchen, and dining room. At 16’ long, front to back, these three rooms align perfectly with the three-part block wall façade. It’s this interplay between plan and elevation that creates cohesion between each façade, no matter where it’s viewed. Given that this project would have neighbors on either side, great care was taken in crafting desirable vistas for the living, dining, and master bedroom. Upstairs, with a view to the street, the master bedroom has a pair of closets and a skillfully planned bathroom complete with soaker tub and separate tiled shower. Main level cabinetry and built-ins serve as dividing elements between rooms and framing elements for views outside.
Architect: Visbeen Architects
Builder: J. Peterson Homes
Photographer: Ashley Avila Photography
Ranchers by Design Custom Homes Ltd.
Rendering of a one story country home.
バンクーバーにある高級な中くらいなコンテンポラリースタイルのおしゃれな家の外観 (コンクリート繊維板サイディング、黄色い外壁、縦張り) の写真
バンクーバーにある高級な中くらいなコンテンポラリースタイルのおしゃれな家の外観 (コンクリート繊維板サイディング、黄色い外壁、縦張り) の写真
Architecture Saville Isaacs
Exterior - Rear
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
Amy A. Alper, Architect
Eric Rorer Photographer
サンフランシスコにある高級な中くらいなコンテンポラリースタイルのおしゃれな家の外観 (コンクリート繊維板サイディング) の写真
サンフランシスコにある高級な中くらいなコンテンポラリースタイルのおしゃれな家の外観 (コンクリート繊維板サイディング) の写真
Tindall Architecture Workshop
Photography by Eli Warren
他の地域にある高級な中くらいなコンテンポラリースタイルのおしゃれな家の外観 (コンクリート繊維板サイディング、混合材屋根) の写真
他の地域にある高級な中くらいなコンテンポラリースタイルのおしゃれな家の外観 (コンクリート繊維板サイディング、混合材屋根) の写真
Raphael Architects
New exterior finishes, included new roof shingles, cement fiber siding, soffit and front door replacement.
A second floor addition above the existing garage accommodates a master bedroom suite with walk-in closet with an exterior deck.
Linda McManus Images
Bittoni Architects
A radical remodel of a modest beach bungalow originally built in 1913 and relocated in 1920 to its current location, blocks from the ocean.
The exterior of the Bay Street Residence remains true to form, preserving its inherent street presence. The interior has been fully renovated to create a streamline connection between each interior space and the rear yard. A 2-story rear addition provides a master suite and deck above while simultaneously creating a unique space below that serves as a terraced indoor dining and living area open to the outdoors.
Photographer: Taiyo Watanabe
AXIS Productions
A detail shot of the cement fiber board siding, also known as Hardy board.
デンバーにあるラグジュアリーな中くらいなコンテンポラリースタイルのおしゃれな家の外観 (コンクリート繊維板サイディング) の写真
デンバーにあるラグジュアリーな中くらいなコンテンポラリースタイルのおしゃれな家の外観 (コンクリート繊維板サイディング) の写真
Les ateliers d'Avre et d'Iton
Vue extérieure de la maison
ルアーブルにある高級な中くらいなコンテンポラリースタイルのおしゃれな家の外観 (コンクリートサイディング、タウンハウス) の写真
ルアーブルにある高級な中くらいなコンテンポラリースタイルのおしゃれな家の外観 (コンクリートサイディング、タウンハウス) の写真
ANX / Aaron Neubert Architects
Brian Thomas Jones, Alex Zarour
ロサンゼルスにある中くらいなコンテンポラリースタイルのおしゃれな家の外観 (コンクリート繊維板サイディング、緑化屋根) の写真
ロサンゼルスにある中くらいなコンテンポラリースタイルのおしゃれな家の外観 (コンクリート繊維板サイディング、緑化屋根) の写真
Quigley Architects
Modern House Productions
ミネアポリスにある中くらいなコンテンポラリースタイルのおしゃれな家の外観 (コンクリート繊維板サイディング) の写真
ミネアポリスにある中くらいなコンテンポラリースタイルのおしゃれな家の外観 (コンクリート繊維板サイディング) の写真
Architecture Republic
Eddie Misic - Eddison Photographic Studios
キャンベラにある低価格の中くらいなコンテンポラリースタイルのおしゃれな家の外観 (コンクリートサイディング) の写真
キャンベラにある低価格の中くらいなコンテンポラリースタイルのおしゃれな家の外観 (コンクリートサイディング) の写真
Coldham & Hartman Architects
Ethan Drinker Photography
ボストンにあるお手頃価格の中くらいなコンテンポラリースタイルのおしゃれな家の外観 (コンクリートサイディング) の写真
ボストンにあるお手頃価格の中くらいなコンテンポラリースタイルのおしゃれな家の外観 (コンクリートサイディング) の写真
LaCantina Doors
Studio 27 Architecture
Photographer: Anice Hoachlander
サンディエゴにある中くらいなコンテンポラリースタイルのおしゃれな家の外観 (コンクリートサイディング、マルチカラーの外壁) の写真
サンディエゴにある中くらいなコンテンポラリースタイルのおしゃれな家の外観 (コンクリートサイディング、マルチカラーの外壁) の写真
Porebski Architects
Porebski Architects, Beach House 2.
The external timber shutters are concealed in the side wall opening the house up to the beach and view.
Photo: Conor Quinn
中くらいなコンテンポラリースタイルの家の外観 (コンクリートサイディング、コンクリート繊維板サイディング) の写真
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