Moderner Anbau an ein Einfamilienhaus. Große Holzfenster.
他の地域にあるラグジュアリーなコンテンポラリースタイルのおしゃれな家の外観 (レンガサイディング、混合材屋根) の写真

Photo: Steve Montpetit
モントリオールにある中くらいなコンテンポラリースタイルのおしゃれな家の外観 (混合材屋根) の写真

インディアナポリスにある高級なコンテンポラリースタイルのおしゃれな家の外観 (コンクリート繊維板サイディング、混合材屋根、下見板張り) の写真

The unsual setting of the property on a hill in Kingston, along with tricky planning considerations, meant that we had to achieve a space split into different floor levels and with an irregular shape. This allowed us to create diverse spaces inside and out maximizing the natural light ingress on the east and south whilst optimizing the connection between internal and external areas. Vaulted ceilings, crisp finishes, minimalistic lines, modern windows and doors, and a sharp composite cladding resulted in an elegant, airy, and well-lighted dream home.

リールにある高級なコンテンポラリースタイルのおしゃれな家の外観 (混合材屋根) の写真

Photography by Richard Chivers https://www.rchivers.co.uk/ Marshall House is an extension to a Grade II listed dwelling in the village of Twyford, near Winchester, Hampshire. The original house dates from the 17th Century, although it had been remodelled and extended during the late 18th Century. The clients contacted us to explore the potential to extend their home in order to suit their growing family and active lifestyle. Due to the constraints of living in a listed building, they were unsure as to what development possibilities were available. The brief was to replace an existing lean-to and 20th century conservatory with a new extension in a modern, contemporary approach. The design was developed in close consultation with the local authority as well as their historic environment department, in order to respect the existing property and work to achieve a positive planning outcome. Like many older buildings, the dwelling had been adjusted here and there, and updated at numerous points over time. The interior of the existing property has a charm and a character - in part down to the age of the property, various bits of work over time and the wear and tear of the collective history of its past occupants. These spaces are dark, dimly lit and cosy. They have low ceilings, small windows, little cubby holes and odd corners. Walls are not parallel or perpendicular, there are steps up and down and places where you must watch not to bang your head. The extension is accessed via a small link portion that provides a clear distinction between the old and new structures. The initial concept is centred on the idea of contrasts. The link aims to have the effect of walking through a portal into a seemingly different dwelling, that is modern, bright, light and airy with clean lines and white walls. However, complementary aspects are also incorporated, such as the strategic placement of windows and roof lights in order to cast light over walls and corners to create little nooks and private views. The overall form of the extension is informed by the awkward shape and uses of the site, resulting in the walls not being parallel in plan and splaying out at different irregular angles. Externally, timber larch cladding is used as the primary material. This is painted black with a heavy duty barn paint, that is both long lasting and cost effective. The black finish of the extension contrasts with the white painted brickwork at the rear and side of the original house. The external colour palette of both structures is in opposition to the reality of the interior spaces. Although timber cladding is a fairly standard, commonplace material, visual depth and distinction has been created through the articulation of the boards. The inclusion of timber fins changes the way shadows are cast across the external surface during the day. Whilst at night, these are illuminated by external lighting. A secondary entrance to the house is provided through a concealed door that is finished to match the profile of the cladding. This opens to a boot/utility room, from which a new shower room can be accessed, before proceeding to the new open plan living space and dining area.

Stacked floor spaces with floating slabs, sliding glass and wood louvre screens, and a roof that kicks just enough to stay within height restrictions, all on a rustic stone cladd base.

Arlington Cape Cod completely gutted, renovated, and added on to.
ワシントンD.C.にある高級な中くらいなコンテンポラリースタイルのおしゃれな家の外観 (混合材サイディング、混合材屋根、縦張り) の写真

Arlington Cape Cod completely gutted, renovated, and added on to.
ワシントンD.C.にある高級な中くらいなコンテンポラリースタイルのおしゃれな家の外観 (混合材サイディング、混合材屋根、縦張り) の写真

Lowell Custom Homes, Lake Geneva, Wi., Home exterior - Stone tower connects all levels with winding staircase, at the top is a lookout balcony and deck. Dark gray black siding with rustic burnt orange accent trim, wooded homesite. S.Photography and Styling

Lowell Custom Homes, Lake Geneva, Wi., Home exterior with landscaping, topiary and flowers. Wood trim in accent color Dark gray black siding with rustic burnt orange accent trim, wooded homesite. S.Photography and Styling

Shortlisted for the prestigious ​Stephen Lawrence National Architecture Award​, and winning a RIBA South East Regional Award​ (2015), the kinetic Ancient Party Barn is a playful re-working of historic agricultural buildings for residential use. Our clients, a fashion designer and a digital designer, are avid collectors of reclaimed architectural artefacts. Together with the existing fabric of the barn, their discoveries formed the material palette. The result – part curation, part restoration – is a unique interpretation of the 18th Century threshing barn. The design (2,295 sqft) subverts the familiar barn-conversion type, creating hermetic, introspective spaces set in open countryside. A series of industrial mechanisms fold and rotate the facades to allow for broad views of the landscape. When they are closed, they afford cosy protection and security. These high-tech, kinetic moments occur without harming the fabric and character of the existing, handmade timber structure. Liddicoat & Goldhill’s conservation specialism, combined with strong relationships with expert craftspeople and engineers lets the clients’ contemporary vision co-exist with the humble, historic barn architecture. A steel and timber mezzanine inside the main space creates an open-plan, master bedroom and bathroom above, and a cosy living area below. The mezzanine is supported by a tapering brick chimney inspired by traditional Kentish brick ovens; a cor-ten helical staircase cantilevers from the chimney. The kitchen is a free-standing composition of furniture at the opposite end of the barn space, combining new and reclaimed furniture with custom-made steel gantries. These ledges and ladders contain storage shelves and hanging space, and create a route up through the barn timbers to a floating ‘crows nest’ sleeping platform in the roof. Within the low-rise buildings reaching south from the main barn, a series of new ragstone interior walls, like the cattle stalls they replaced, delineate a series of simple sleeping rooms for guests.

Custom Stone and larch timber cladding. IQ large format sliding doors. Aluminium frame. Large format tiles to patio.
高級な中くらいなコンテンポラリースタイルのおしゃれな家の外観 (コンクリートサイディング、混合材屋根) の写真

Photography by Richard Chivers https://www.rchivers.co.uk/ Marshall House is an extension to a Grade II listed dwelling in the village of Twyford, near Winchester, Hampshire. The original house dates from the 17th Century, although it had been remodelled and extended during the late 18th Century. The clients contacted us to explore the potential to extend their home in order to suit their growing family and active lifestyle. Due to the constraints of living in a listed building, they were unsure as to what development possibilities were available. The brief was to replace an existing lean-to and 20th century conservatory with a new extension in a modern, contemporary approach. The design was developed in close consultation with the local authority as well as their historic environment department, in order to respect the existing property and work to achieve a positive planning outcome. Like many older buildings, the dwelling had been adjusted here and there, and updated at numerous points over time. The interior of the existing property has a charm and a character - in part down to the age of the property, various bits of work over time and the wear and tear of the collective history of its past occupants. These spaces are dark, dimly lit and cosy. They have low ceilings, small windows, little cubby holes and odd corners. Walls are not parallel or perpendicular, there are steps up and down and places where you must watch not to bang your head. The extension is accessed via a small link portion that provides a clear distinction between the old and new structures. The initial concept is centred on the idea of contrasts. The link aims to have the effect of walking through a portal into a seemingly different dwelling, that is modern, bright, light and airy with clean lines and white walls. However, complementary aspects are also incorporated, such as the strategic placement of windows and roof lights in order to cast light over walls and corners to create little nooks and private views. The overall form of the extension is informed by the awkward shape and uses of the site, resulting in the walls not being parallel in plan and splaying out at different irregular angles. Externally, timber larch cladding is used as the primary material. This is painted black with a heavy duty barn paint, that is both long lasting and cost effective. The black finish of the extension contrasts with the white painted brickwork at the rear and side of the original house. The external colour palette of both structures is in opposition to the reality of the interior spaces. Although timber cladding is a fairly standard, commonplace material, visual depth and distinction has been created through the articulation of the boards. The inclusion of timber fins changes the way shadows are cast across the external surface during the day. Whilst at night, these are illuminated by external lighting. A secondary entrance to the house is provided through a concealed door that is finished to match the profile of the cladding. This opens to a boot/utility room, from which a new shower room can be accessed, before proceeding to the new open plan living space and dining area.

Lowell Custom Homes, Lake Geneva, Wi., Exterior landscape restful covered porch with seating and topiary shaped like Mr. Snuffleupagus overlooking seating. S.Photography and Styling

Lowell Custom Homes, Lake Geneva, Wi., Home exterior with landscaping, topiary and flowers. Wood trim in accent color Dark gray black siding with rustic burnt orange accent trim, wooded homesite. S.Photography and Styling

At night the house glows lantern-like in the street, with fun contrast between the black and white cladding.
オークランドにある高級な小さなコンテンポラリースタイルのおしゃれな家の外観 (タウンハウス、混合材屋根) の写真

Photography by Richard Chivers https://www.rchivers.co.uk/ Marshall House is an extension to a Grade II listed dwelling in the village of Twyford, near Winchester, Hampshire. The original house dates from the 17th Century, although it had been remodelled and extended during the late 18th Century. The clients contacted us to explore the potential to extend their home in order to suit their growing family and active lifestyle. Due to the constraints of living in a listed building, they were unsure as to what development possibilities were available. The brief was to replace an existing lean-to and 20th century conservatory with a new extension in a modern, contemporary approach. The design was developed in close consultation with the local authority as well as their historic environment department, in order to respect the existing property and work to achieve a positive planning outcome. Like many older buildings, the dwelling had been adjusted here and there, and updated at numerous points over time. The interior of the existing property has a charm and a character - in part down to the age of the property, various bits of work over time and the wear and tear of the collective history of its past occupants. These spaces are dark, dimly lit and cosy. They have low ceilings, small windows, little cubby holes and odd corners. Walls are not parallel or perpendicular, there are steps up and down and places where you must watch not to bang your head. The extension is accessed via a small link portion that provides a clear distinction between the old and new structures. The initial concept is centred on the idea of contrasts. The link aims to have the effect of walking through a portal into a seemingly different dwelling, that is modern, bright, light and airy with clean lines and white walls. However, complementary aspects are also incorporated, such as the strategic placement of windows and roof lights in order to cast light over walls and corners to create little nooks and private views. The overall form of the extension is informed by the awkward shape and uses of the site, resulting in the walls not being parallel in plan and splaying out at different irregular angles. Externally, timber larch cladding is used as the primary material. This is painted black with a heavy duty barn paint, that is both long lasting and cost effective. The black finish of the extension contrasts with the white painted brickwork at the rear and side of the original house. The external colour palette of both structures is in opposition to the reality of the interior spaces. Although timber cladding is a fairly standard, commonplace material, visual depth and distinction has been created through the articulation of the boards. The inclusion of timber fins changes the way shadows are cast across the external surface during the day. Whilst at night, these are illuminated by external lighting. A secondary entrance to the house is provided through a concealed door that is finished to match the profile of the cladding. This opens to a boot/utility room, from which a new shower room can be accessed, before proceeding to the new open plan living space and dining area.

Photography by Richard Chivers https://www.rchivers.co.uk/ Marshall House is an extension to a Grade II listed dwelling in the village of Twyford, near Winchester, Hampshire. The original house dates from the 17th Century, although it had been remodelled and extended during the late 18th Century. The clients contacted us to explore the potential to extend their home in order to suit their growing family and active lifestyle. Due to the constraints of living in a listed building, they were unsure as to what development possibilities were available. The brief was to replace an existing lean-to and 20th century conservatory with a new extension in a modern, contemporary approach. The design was developed in close consultation with the local authority as well as their historic environment department, in order to respect the existing property and work to achieve a positive planning outcome. Like many older buildings, the dwelling had been adjusted here and there, and updated at numerous points over time. The interior of the existing property has a charm and a character - in part down to the age of the property, various bits of work over time and the wear and tear of the collective history of its past occupants. These spaces are dark, dimly lit and cosy. They have low ceilings, small windows, little cubby holes and odd corners. Walls are not parallel or perpendicular, there are steps up and down and places where you must watch not to bang your head. The extension is accessed via a small link portion that provides a clear distinction between the old and new structures. The initial concept is centred on the idea of contrasts. The link aims to have the effect of walking through a portal into a seemingly different dwelling, that is modern, bright, light and airy with clean lines and white walls. However, complementary aspects are also incorporated, such as the strategic placement of windows and roof lights in order to cast light over walls and corners to create little nooks and private views. The overall form of the extension is informed by the awkward shape and uses of the site, resulting in the walls not being parallel in plan and splaying out at different irregular angles. Externally, timber larch cladding is used as the primary material. This is painted black with a heavy duty barn paint, that is both long lasting and cost effective. The black finish of the extension contrasts with the white painted brickwork at the rear and side of the original house. The external colour palette of both structures is in opposition to the reality of the interior spaces. Although timber cladding is a fairly standard, commonplace material, visual depth and distinction has been created through the articulation of the boards. The inclusion of timber fins changes the way shadows are cast across the external surface during the day. Whilst at night, these are illuminated by external lighting. A secondary entrance to the house is provided through a concealed door that is finished to match the profile of the cladding. This opens to a boot/utility room, from which a new shower room can be accessed, before proceeding to the new open plan living space and dining area.