Exterior front - garage side
他の地域にあるラグジュアリーな巨大なコンテンポラリースタイルのおしゃれな家の外観 (コンクリート繊維板サイディング、下見板張り) の写真

Hannah Bird Photography
クライストチャーチにあるコンテンポラリースタイルのおしゃれな家の外観の写真

David Straight
ダニーデンにあるお手頃価格の小さなコンテンポラリースタイルのおしゃれな家の外観 (メタルサイディング) の写真

Charred timber cladding creates a distinctive link from the traditional front cottage to the modern pavillions
他の地域にあるラグジュアリーなコンテンポラリースタイルのおしゃれな家の外観の写真

In collaboration with Merrett Houmøller Architects
ロンドンにある中くらいなコンテンポラリースタイルのおしゃれな家の外観 (タウンハウス) の写真

This is a great photo of the exterior cladding and black framed windows of this cubist home. The floor to ceiling windows on the ground floor enjoy views to the pool on one side of the home and the tennis court on the other. Sarah Wood Photography

Peter Bennetts
メルボルンにあるコンテンポラリースタイルのおしゃれな家の外観 (メタルサイディング) の写真

他の地域にあるコンテンポラリースタイルのおしゃれな家の外観 (混合材サイディング) の写真

Photography by Richard Chivers https://www.rchivers.co.uk/ Marshall House is an extension to a Grade II listed dwelling in the village of Twyford, near Winchester, Hampshire. The original house dates from the 17th Century, although it had been remodelled and extended during the late 18th Century. The clients contacted us to explore the potential to extend their home in order to suit their growing family and active lifestyle. Due to the constraints of living in a listed building, they were unsure as to what development possibilities were available. The brief was to replace an existing lean-to and 20th century conservatory with a new extension in a modern, contemporary approach. The design was developed in close consultation with the local authority as well as their historic environment department, in order to respect the existing property and work to achieve a positive planning outcome. Like many older buildings, the dwelling had been adjusted here and there, and updated at numerous points over time. The interior of the existing property has a charm and a character - in part down to the age of the property, various bits of work over time and the wear and tear of the collective history of its past occupants. These spaces are dark, dimly lit and cosy. They have low ceilings, small windows, little cubby holes and odd corners. Walls are not parallel or perpendicular, there are steps up and down and places where you must watch not to bang your head. The extension is accessed via a small link portion that provides a clear distinction between the old and new structures. The initial concept is centred on the idea of contrasts. The link aims to have the effect of walking through a portal into a seemingly different dwelling, that is modern, bright, light and airy with clean lines and white walls. However, complementary aspects are also incorporated, such as the strategic placement of windows and roof lights in order to cast light over walls and corners to create little nooks and private views. The overall form of the extension is informed by the awkward shape and uses of the site, resulting in the walls not being parallel in plan and splaying out at different irregular angles. Externally, timber larch cladding is used as the primary material. This is painted black with a heavy duty barn paint, that is both long lasting and cost effective. The black finish of the extension contrasts with the white painted brickwork at the rear and side of the original house. The external colour palette of both structures is in opposition to the reality of the interior spaces. Although timber cladding is a fairly standard, commonplace material, visual depth and distinction has been created through the articulation of the boards. The inclusion of timber fins changes the way shadows are cast across the external surface during the day. Whilst at night, these are illuminated by external lighting. A secondary entrance to the house is provided through a concealed door that is finished to match the profile of the cladding. This opens to a boot/utility room, from which a new shower room can be accessed, before proceeding to the new open plan living space and dining area.

Workshop and boat shed can be accessed both sides from the entry/ driveway
オークランドにあるコンテンポラリースタイルのおしゃれな家の外観 (縦張り) の写真

Rear and Side Facade with concrete built in seating and stairs
ロンドンにあるお手頃価格の中くらいなコンテンポラリースタイルのおしゃれな家の外観 (デュープレックス、混合材屋根) の写真

photo: Maxime Brouillet
他の地域にある中くらいなコンテンポラリースタイルのおしゃれな家の外観 (混合材サイディング) の写真

The front facade is composed of bricks, shiplap timber cladding and James Hardie Scyon Axon cladding, painted in Dulux Blackwood Bay. A dramatic yet familiar silhouette lies above a textural brick base. Photography: Tess Kelly

French + Tye
ロンドンにあるコンテンポラリースタイルのおしゃれな家の外観 (縦張り) の写真

This home's new exterior features a car port, a fresh coat of black paint, a section of corrugated metal, and a cheery yellow front door.
ワシントンD.C.にあるコンテンポラリースタイルのおしゃれな家の外観 (混合材サイディング) の写真

シュトゥットガルトにあるコンテンポラリースタイルのおしゃれな家の外観 (コンクリート繊維板サイディング、タウンハウス) の写真

Ein Haus von der Stange lässt sich doch mit der 200 Jahre alten Eiche auf dem Grundstück nicht vereinen! Wie gut, dass Architekt Lutz Gnosa eine viel bessere Idee im Kopf hatte: Eine Kubatur aus Beton und solidem Kalksandstein, von HGK und zum Festpreis, dafür ganz individuell und ohne Ärger umzusetzen! Nach nur acht Monaten Bauzeit war das Traumhaus im Bauhausstil bezugsfertig. Wichtig war den Bauherren eine charakteristische, klare Fassade, die opulente Ausblicke auf das Grün erlaubt sowie Innen und Außen verschmelzen lässt. Weiß verputzte Wände und vom Architekten entworfene Einbaumöbel aus Eiche bilden im Inneren einen spannungsvollen Kontrast zu den Decken aus Sichtbeton und dem Pandomo-Fußboden.

Photography by Richard Chivers https://www.rchivers.co.uk/ Marshall House is an extension to a Grade II listed dwelling in the village of Twyford, near Winchester, Hampshire. The original house dates from the 17th Century, although it had been remodelled and extended during the late 18th Century. The clients contacted us to explore the potential to extend their home in order to suit their growing family and active lifestyle. Due to the constraints of living in a listed building, they were unsure as to what development possibilities were available. The brief was to replace an existing lean-to and 20th century conservatory with a new extension in a modern, contemporary approach. The design was developed in close consultation with the local authority as well as their historic environment department, in order to respect the existing property and work to achieve a positive planning outcome. Like many older buildings, the dwelling had been adjusted here and there, and updated at numerous points over time. The interior of the existing property has a charm and a character - in part down to the age of the property, various bits of work over time and the wear and tear of the collective history of its past occupants. These spaces are dark, dimly lit and cosy. They have low ceilings, small windows, little cubby holes and odd corners. Walls are not parallel or perpendicular, there are steps up and down and places where you must watch not to bang your head. The extension is accessed via a small link portion that provides a clear distinction between the old and new structures. The initial concept is centred on the idea of contrasts. The link aims to have the effect of walking through a portal into a seemingly different dwelling, that is modern, bright, light and airy with clean lines and white walls. However, complementary aspects are also incorporated, such as the strategic placement of windows and roof lights in order to cast light over walls and corners to create little nooks and private views. The overall form of the extension is informed by the awkward shape and uses of the site, resulting in the walls not being parallel in plan and splaying out at different irregular angles. Externally, timber larch cladding is used as the primary material. This is painted black with a heavy duty barn paint, that is both long lasting and cost effective. The black finish of the extension contrasts with the white painted brickwork at the rear and side of the original house. The external colour palette of both structures is in opposition to the reality of the interior spaces. Although timber cladding is a fairly standard, commonplace material, visual depth and distinction has been created through the articulation of the boards. The inclusion of timber fins changes the way shadows are cast across the external surface during the day. Whilst at night, these are illuminated by external lighting. A secondary entrance to the house is provided through a concealed door that is finished to match the profile of the cladding. This opens to a boot/utility room, from which a new shower room can be accessed, before proceeding to the new open plan living space and dining area.

CasaENE Nordelta Virazon. Obra de arquitectura y diseño de interiores que realizamos junto al estudio de Jorgelina Tortorici y asociados en Buenos Aires.