Cette cuisine se situe au centre de la maison et permet d'accéder d'un côté et de l'autre de la demeure. ​ Des travaux de structure et de rehaussement de sol ont été effectué afin de reconnecter deux espaces scindés par une marche. La volonté des clients était d'avoir une cuisine légère et claire pour contraster avec un plan de travail noir, de conserver le piano de cuisson, et recréer de la surface de plan de travail.. Entre contemporanéité et esprit provincial, les clients ont retrouvé une harmonie qu'ils cherchaient avec ce coeur de maison.

マドリードにある広いコンテンポラリースタイルのおしゃれなキッチン (アンダーカウンターシンク、フラットパネル扉のキャビネット、ベージュのキャビネット、クオーツストーンカウンター、黒いキッチンパネル、シルバーの調理設備、セラミックタイルの床、ベージュの床、黒いキッチンカウンター) の写真

Words by Wilson Hack The best architecture allows what has come before it to be seen and cared for while at the same time injecting something new, if not idealistic. Spartan at first glance, the interior of this stately apartment building, located on the iconic Passeig de Gràcia in Barcelona, quickly begins to unfold as a calculated series of textures, visual artifacts and perfected aesthetic continuities. The client, a globe-trotting entrepreneur, selected Jeanne Schultz Design Studio for the remodel and requested that the space be reconditioned into a purposeful and peaceful landing pad. It was to be furnished simply using natural and sustainable materials. Schultz began by gently peeling back before adding only the essentials, resulting in a harmoniously restorative living space where darkness and light coexist and comfort reigns. The design was initially guided by the fireplace—from there a subtle injection of matching color extends up into the thick tiered molding and ceiling trim. “The most reckless patterns live here,” remarks Schultz, referring to the checkered green and white tiles, pink-Pollack-y stone and cast iron detailing. The millwork and warm wood wall panels devour the remainder of the living room, eliminating the need for unnecessary artwork. A curved living room chair by Kave Home punctuates playfully; its shape reveals its pleasant conformity to the human body and sits back, inviting rest and respite. “It’s good for all body types and sizes,” explains Schultz. The single sofa by Dareels is purposefully oversized, casual and inviting. A beige cover was added to soften the otherwise rectilinear edges. Additionally sourced from Dareels, a small yet centrally located side table anchors the space with its dark black wood texture, its visual weight on par with the larger pieces. The black bulbous free standing lamp converses directly with the antique chandelier above. Composed of individual black leather strips, it is seemingly harsh—yet its soft form is reminiscent of a spring tulip. The continuation of the color palette slips softly into the dining room where velvety green chairs sit delicately on a cascade array of pointed legs. The doors that lead out to the patio were sanded down and treated so that the original shape and form could be retained. Although the same green paint was used throughout, this set of doors speaks in darker tones alongside the acute and penetrating daylight. A few different shades of white paint were used throughout the space to add additional depth and embellish this shadowy texture. Specialty lights were added into the space to complement the existing overhead lighting. A wall sconce was added in the living room and extra lighting was placed in the kitchen. However, because of the existing barrel vaulted tile ceiling, sconces were placed on the walls rather than above to avoid penetrating the existing architecture.

Cette cuisine se situe au centre de la maison et permet d'accéder d'un côté et de l'autre de la demeure. ​ Des travaux de structure et de rehaussement de sol ont été effectué afin de reconnecter deux espaces scindés par une marche. La volonté des clients était d'avoir une cuisine légère et claire pour contraster avec un plan de travail noir, de conserver le piano de cuisson, et recréer de la surface de plan de travail.. Entre contemporanéité et esprit provincial, les clients ont retrouvé une harmonie qu'ils cherchaient avec ce coeur de maison.

La cuisine se situe au centre de la maison et sert de lien entre l'espace jour et l'espace nuit. Sa configuration en L permet de gagner un linéaire de plan de travail tout en laissant la circulation de cet espace ouvert et fluide.

François Garcia
ルアーブルにあるお手頃価格の広いコンテンポラリースタイルのおしゃれなキッチン (アンダーカウンターシンク、フラットパネル扉のキャビネット、ベージュのキャビネット、ラミネートカウンター、ベージュキッチンパネル、シルバーの調理設備、セラミックタイルの床、白い床、黒いキッチンカウンター) の写真

Cette cuisine se situe au centre de la maison et permet d'accéder d'un côté et de l'autre de la demeure. ​ Des travaux de structure et de rehaussement de sol ont été effectué afin de reconnecter deux espaces scindés par une marche. La volonté des clients était d'avoir une cuisine légère et claire pour contraster avec un plan de travail noir, de conserver le piano de cuisson, et recréer de la surface de plan de travail.. Entre contemporanéité et esprit provincial, les clients ont retrouvé une harmonie qu'ils cherchaient avec ce coeur de maison.

マドリードにある広いコンテンポラリースタイルのおしゃれなキッチン (アンダーカウンターシンク、フラットパネル扉のキャビネット、ベージュのキャビネット、クオーツストーンカウンター、黒いキッチンパネル、シルバーの調理設備、セラミックタイルの床、ベージュの床、黒いキッチンカウンター) の写真

François Garcia
ルアーブルにあるお手頃価格の広いコンテンポラリースタイルのおしゃれなキッチン (アンダーカウンターシンク、フラットパネル扉のキャビネット、ベージュのキャビネット、ラミネートカウンター、ベージュキッチンパネル、シルバーの調理設備、セラミックタイルの床、白い床、黒いキッチンカウンター) の写真

Words by Wilson Hack The best architecture allows what has come before it to be seen and cared for while at the same time injecting something new, if not idealistic. Spartan at first glance, the interior of this stately apartment building, located on the iconic Passeig de Gràcia in Barcelona, quickly begins to unfold as a calculated series of textures, visual artifacts and perfected aesthetic continuities. The client, a globe-trotting entrepreneur, selected Jeanne Schultz Design Studio for the remodel and requested that the space be reconditioned into a purposeful and peaceful landing pad. It was to be furnished simply using natural and sustainable materials. Schultz began by gently peeling back before adding only the essentials, resulting in a harmoniously restorative living space where darkness and light coexist and comfort reigns. The design was initially guided by the fireplace—from there a subtle injection of matching color extends up into the thick tiered molding and ceiling trim. “The most reckless patterns live here,” remarks Schultz, referring to the checkered green and white tiles, pink-Pollack-y stone and cast iron detailing. The millwork and warm wood wall panels devour the remainder of the living room, eliminating the need for unnecessary artwork. A curved living room chair by Kave Home punctuates playfully; its shape reveals its pleasant conformity to the human body and sits back, inviting rest and respite. “It’s good for all body types and sizes,” explains Schultz. The single sofa by Dareels is purposefully oversized, casual and inviting. A beige cover was added to soften the otherwise rectilinear edges. Additionally sourced from Dareels, a small yet centrally located side table anchors the space with its dark black wood texture, its visual weight on par with the larger pieces. The black bulbous free standing lamp converses directly with the antique chandelier above. Composed of individual black leather strips, it is seemingly harsh—yet its soft form is reminiscent of a spring tulip. The continuation of the color palette slips softly into the dining room where velvety green chairs sit delicately on a cascade array of pointed legs. The doors that lead out to the patio were sanded down and treated so that the original shape and form could be retained. Although the same green paint was used throughout, this set of doors speaks in darker tones alongside the acute and penetrating daylight. A few different shades of white paint were used throughout the space to add additional depth and embellish this shadowy texture. Specialty lights were added into the space to complement the existing overhead lighting. A wall sconce was added in the living room and extra lighting was placed in the kitchen. However, because of the existing barrel vaulted tile ceiling, sconces were placed on the walls rather than above to avoid penetrating the existing architecture.