The black subway tile really enhances the white cabinets and counter tops. This ties in with the floor for a really beautiful kitchen.
グランドラピッズにある広いおしゃれなキッチン (フラットパネル扉のキャビネット、白いキャビネット、クオーツストーンカウンター、黒いキッチンパネル、石タイルのキッチンパネル、黒い調理設備、濃色無垢フローリング、黒い床) の写真

Mid-century Kitchen idea with White and black design Marble Kitchen & furniture. This classic kitchen has beautiful arched windows above the sink that provide natural light. The dining table adds contrast to the Contemporary kitchen and breakfast table in the kitchen n breakfast bay window nook kitchen island breakfast table with drawers, best interior, wall painting, pendent, and window by Architectural Rendering Companies. https://www.yantramstudio.com/3d-inlarge round pedestal dining table iterior-rendering-cgi-animation.html

Erik Lubbock
他の地域にあるお手頃価格の中くらいなエクレクティックスタイルのおしゃれなキッチン (エプロンフロントシンク、フラットパネル扉のキャビネット、淡色木目調キャビネット、御影石カウンター、ベージュキッチンパネル、石タイルのキッチンパネル、シルバーの調理設備、コンクリートの床、黒い床) の写真

We removed walls to create a larger more functional kitchen for a growing family. Photography & Styling: Sarah E Owen https://sarahowenstudio.com/

ニューヨークにあるお手頃価格の中くらいなモダンスタイルのおしゃれなキッチン (ドロップインシンク、フラットパネル扉のキャビネット、黒いキャビネット、御影石カウンター、白いキッチンパネル、石タイルのキッチンパネル、シルバーの調理設備、濃色無垢フローリング、黒い床) の写真

ロサンゼルスにある高級な中くらいなモダンスタイルのおしゃれなキッチン (アンダーカウンターシンク、フラットパネル扉のキャビネット、黒いキャビネット、人工大理石カウンター、黒いキッチンパネル、石タイルのキッチンパネル、黒い調理設備、磁器タイルの床、黒い床、黒いキッチンカウンター) の写真

We installed new wooden custom drawers with black handles. Painted the cabinets and installed black handles. Removed the stove so that we can install a textured backsplash. The countertops are Guci marble countertops.

Words by Wilson Hack The best architecture allows what has come before it to be seen and cared for while at the same time injecting something new, if not idealistic. Spartan at first glance, the interior of this stately apartment building, located on the iconic Passeig de Gràcia in Barcelona, quickly begins to unfold as a calculated series of textures, visual artifacts and perfected aesthetic continuities. The client, a globe-trotting entrepreneur, selected Jeanne Schultz Design Studio for the remodel and requested that the space be reconditioned into a purposeful and peaceful landing pad. It was to be furnished simply using natural and sustainable materials. Schultz began by gently peeling back before adding only the essentials, resulting in a harmoniously restorative living space where darkness and light coexist and comfort reigns. The design was initially guided by the fireplace—from there a subtle injection of matching color extends up into the thick tiered molding and ceiling trim. “The most reckless patterns live here,” remarks Schultz, referring to the checkered green and white tiles, pink-Pollack-y stone and cast iron detailing. The millwork and warm wood wall panels devour the remainder of the living room, eliminating the need for unnecessary artwork. A curved living room chair by Kave Home punctuates playfully; its shape reveals its pleasant conformity to the human body and sits back, inviting rest and respite. “It’s good for all body types and sizes,” explains Schultz. The single sofa by Dareels is purposefully oversized, casual and inviting. A beige cover was added to soften the otherwise rectilinear edges. Additionally sourced from Dareels, a small yet centrally located side table anchors the space with its dark black wood texture, its visual weight on par with the larger pieces. The black bulbous free standing lamp converses directly with the antique chandelier above. Composed of individual black leather strips, it is seemingly harsh—yet its soft form is reminiscent of a spring tulip. The continuation of the color palette slips softly into the dining room where velvety green chairs sit delicately on a cascade array of pointed legs. The doors that lead out to the patio were sanded down and treated so that the original shape and form could be retained. Although the same green paint was used throughout, this set of doors speaks in darker tones alongside the acute and penetrating daylight. A few different shades of white paint were used throughout the space to add additional depth and embellish this shadowy texture. Specialty lights were added into the space to complement the existing overhead lighting. A wall sconce was added in the living room and extra lighting was placed in the kitchen. However, because of the existing barrel vaulted tile ceiling, sconces were placed on the walls rather than above to avoid penetrating the existing architecture.

Con un techo en cemento era imposible incrustar los perfiles por lo que se usaron perfiles de DeltaLight con led lines y spots y se apoyo la iluminacion con lucrs sobre y bajo los muebles

Travertine and copper tile backsplash installation.
ボストンにあるお手頃価格の中くらいなエクレクティックスタイルのおしゃれなキッチン (ドロップインシンク、フラットパネル扉のキャビネット、濃色木目調キャビネット、御影石カウンター、ベージュキッチンパネル、トラバーチンのキッチンパネル、シルバーの調理設備、セラミックタイルの床、黒い床、グレーのキッチンカウンター、塗装板張りの天井) の写真

Erik Lubbock
他の地域にあるお手頃価格の中くらいなエクレクティックスタイルのおしゃれなキッチン (フラットパネル扉のキャビネット、淡色木目調キャビネット、御影石カウンター、シルバーの調理設備、コンクリートの床、黒い床、エプロンフロントシンク、ベージュキッチンパネル、石タイルのキッチンパネル) の写真

ロサンゼルスにある高級な中くらいなモダンスタイルのおしゃれなキッチン (アンダーカウンターシンク、フラットパネル扉のキャビネット、黒いキャビネット、人工大理石カウンター、黒いキッチンパネル、石タイルのキッチンパネル、黒い調理設備、磁器タイルの床、黒い床、黒いキッチンカウンター) の写真

ロサンゼルスにある高級な中くらいなモダンスタイルのおしゃれなキッチン (アンダーカウンターシンク、フラットパネル扉のキャビネット、黒いキャビネット、人工大理石カウンター、黒いキッチンパネル、石タイルのキッチンパネル、黒い調理設備、磁器タイルの床、黒い床、黒いキッチンカウンター) の写真

Words by Wilson Hack The best architecture allows what has come before it to be seen and cared for while at the same time injecting something new, if not idealistic. Spartan at first glance, the interior of this stately apartment building, located on the iconic Passeig de Gràcia in Barcelona, quickly begins to unfold as a calculated series of textures, visual artifacts and perfected aesthetic continuities. The client, a globe-trotting entrepreneur, selected Jeanne Schultz Design Studio for the remodel and requested that the space be reconditioned into a purposeful and peaceful landing pad. It was to be furnished simply using natural and sustainable materials. Schultz began by gently peeling back before adding only the essentials, resulting in a harmoniously restorative living space where darkness and light coexist and comfort reigns. The design was initially guided by the fireplace—from there a subtle injection of matching color extends up into the thick tiered molding and ceiling trim. “The most reckless patterns live here,” remarks Schultz, referring to the checkered green and white tiles, pink-Pollack-y stone and cast iron detailing. The millwork and warm wood wall panels devour the remainder of the living room, eliminating the need for unnecessary artwork. A curved living room chair by Kave Home punctuates playfully; its shape reveals its pleasant conformity to the human body and sits back, inviting rest and respite. “It’s good for all body types and sizes,” explains Schultz. The single sofa by Dareels is purposefully oversized, casual and inviting. A beige cover was added to soften the otherwise rectilinear edges. Additionally sourced from Dareels, a small yet centrally located side table anchors the space with its dark black wood texture, its visual weight on par with the larger pieces. The black bulbous free standing lamp converses directly with the antique chandelier above. Composed of individual black leather strips, it is seemingly harsh—yet its soft form is reminiscent of a spring tulip. The continuation of the color palette slips softly into the dining room where velvety green chairs sit delicately on a cascade array of pointed legs. The doors that lead out to the patio were sanded down and treated so that the original shape and form could be retained. Although the same green paint was used throughout, this set of doors speaks in darker tones alongside the acute and penetrating daylight. A few different shades of white paint were used throughout the space to add additional depth and embellish this shadowy texture. Specialty lights were added into the space to complement the existing overhead lighting. A wall sconce was added in the living room and extra lighting was placed in the kitchen. However, because of the existing barrel vaulted tile ceiling, sconces were placed on the walls rather than above to avoid penetrating the existing architecture.