Rear view of house with patios and screened porch Photo by Sarah Terranova
カンザスシティにある高級な中くらいなミッドセンチュリースタイルのおしゃれな家の外観 (混合材サイディング、マルチカラーの外壁) の写真

ミネアポリスにある中くらいなコンテンポラリースタイルのおしゃれな家の外観 (混合材サイディング) の写真

This 60's Style Ranch home was recently remodeled to withhold the Barley Pfeiffer standard. This home features large 8' vaulted ceilings, accented with stunning premium white oak wood. The large steel-frame windows and front door allow for the infiltration of natural light; specifically designed to let light in without heating the house. The fireplace is original to the home, but has been resurfaced with hand troweled plaster. Special design features include the rising master bath mirror to allow for additional storage. Photo By: Alan Barley

オースティンにあるお手頃価格の中くらいなインダストリアルスタイルのおしゃれな家の外観 (メタルサイディング) の写真

Bob Schatz
バーリントンにある中くらいなラスティックスタイルのおしゃれな家の外観 (混合材サイディング、マルチカラーの外壁) の写真

This complete remodel was crafted after the mid century modern and was an inspiration to photograph. The use of brick work, cedar, glass and metal on the outside was well thought out as its transition from the great room out flowed to make the interior and exterior seem as one. The home was built by Classic Urban Homes and photography by Vernon Wentz of Ad Imagery.

タンパにあるお手頃価格の中くらいなコンテンポラリースタイルのおしゃれな家の外観 (メタルサイディング) の写真

ハミルトンにある高級な中くらいなコンテンポラリースタイルのおしゃれな家の外観 (コンクリートサイディング、マルチカラーの外壁) の写真

Exterior - Front Entry Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

マイアミにあるラグジュアリーな中くらいなコンテンポラリースタイルのおしゃれな家の外観 (コンクリートサイディング、緑の外壁) の写真

ミネアポリスにある中くらいなトラディショナルスタイルのおしゃれな家の外観 (混合材サイディング) の写真

Sanierung eines typischen 70er Jahre Hauses. Energetische Sanierung. Zusätzlicher Bau von zwei haushohen Gauben, eines neuen Eingang und Ausbau des Dachgeschosses. Fotos Markus Vogt, Eddie Klotz, Jürgen Lehmeier

横浜にあるお手頃価格の中くらいなコンテンポラリースタイルのおしゃれな家の外観 (メタルサイディング、縦張り) の写真

サンタバーバラにある中くらいなコンテンポラリースタイルのおしゃれな家の外観 (メタルサイディング) の写真

Bernard Andre
サンフランシスコにある中くらいなコンテンポラリースタイルのおしゃれな家の外観 (混合材サイディング) の写真

This complete remodel was crafted after the mid century modern and was an inspiration to photograph. The use of brick work, cedar, glass and metal on the outside was well thought out as its transition from the great room out flowed to make the interior and exterior seem as one. The home was built by Classic Urban Homes and photography by Vernon Wentz of Ad Imagery.

This is a contemporary garden space created for a newly built property offering multiple areas for outside relaxation and featuring a pool with fountain jets, table top topiarised plane trees, multi stemmed feature trees and a meadow style planting scheme. Photographs by the designer, John Davies

View from the west side of the meadow. Photography by Lucas Henning.
シアトルにある高級な中くらいなインダストリアルスタイルのおしゃれな家の外観 (メタルサイディング) の写真

sam van fleet Front entry to the studio
シアトルにある中くらいなコンテンポラリースタイルのおしゃれな家の外観 (メタルサイディング) の写真