Designed in 1970 for an art collector, the existing referenced 70’s architectural principles. With its cadence of ‘70’s brick masses punctuated by a garage and a 4-foot-deep entrance recess. This recess, however, didn’t convey to the interior, which was occupied by disjointed service spaces. To solve, service spaces are moved and reorganized in open void in the garage. (See plan) This also organized the home: Service & utility on the left, reception central, and communal living spaces on the right. To maintain clarity of the simple one-story 70’s composition, the second story add is recessive. A flex-studio/extra bedroom and office are designed ensuite creating a slender form and orienting them front to back and setting it back allows the add recede. Curves create a definite departure from the 70s home and by detailing it to "hover like a thought" above the first-floor roof and mentally removable sympathetic add.Existing unrelenting interior walls and a windowless entry, although ideal for fine art was unconducive for the young family of three. Added glass at the front recess welcomes light view and the removal of interior walls not only liberate rooms to communicate with each other but also reinform the cleared central entry space as a hub. Even though the renovation reinforms its relationship with art, the joy and appreciation of art was not dismissed. A metal sculpture lost in the corner of the south side yard bumps the sculpture at the front entrance to the kitchen terrace over an added pedestal. (See plans) Since the roof couldn’t be railed without compromising the one-story '70s composition, the sculpture garden remains physically inaccessible however mirrors flanking the chimney allow the sculptures to be appreciated in three dimensions. The mirrors also afford privacy from the adjacent Tudor's large master bedroom addition 16-feet away.

東京都下にあるモダンスタイルのおしゃれな家の外観 (縦張り、円形の家) の写真

他の地域にあるお手頃価格の中くらいな北欧スタイルのおしゃれな家の外観 (漆喰サイディング、円形の家) の写真

他の地域にあるお手頃価格の中くらいなコンテンポラリースタイルのおしゃれな家の外観 (円形の家) の写真

福岡にある中くらいなおしゃれな家の外観 (円形の家) の写真

夫婦＋幼稚園児３人の世帯だったことを意識して、門扉と外階段手すりは、“楽しさ”と“安全性”を両立させることを考えて設計した。外装は、RC基壇がモルタル洗い出し、円筒部分はガルバリウム鋼板平葺
東京23区にある小さなコンテンポラリースタイルのおしゃれな家の外観 (混合材サイディング、円形の家) の写真

東京都下にあるモダンスタイルのおしゃれな家の外観 (縦張り、円形の家) の写真

他の地域にある中くらいな北欧スタイルのおしゃれな家の外観 (円形の家) の写真

福岡にあるお手頃価格の中くらいなモダンスタイルのおしゃれな家の外観 (下見板張り、円形の家) の写真

他の地域にあるお手頃価格の中くらいな北欧スタイルのおしゃれな家の外観 (漆喰サイディング、円形の家) の写真

他の地域にある中くらいなおしゃれな家の外観 (円形の家) の写真

他の地域にあるお手頃価格の中くらいな北欧スタイルのおしゃれな家の外観 (漆喰サイディング、円形の家) の写真

Designed in 1970 for an art collector, the existing referenced 70’s architectural principles. With its cadence of ‘70’s brick masses punctuated by a garage and a 4-foot-deep entrance recess. This recess, however, didn’t convey to the interior, which was occupied by disjointed service spaces. To solve, service spaces are moved and reorganized in open void in the garage. (See plan) This also organized the home: Service & utility on the left, reception central, and communal living spaces on the right. To maintain clarity of the simple one-story 70’s composition, the second story add is recessive. A flex-studio/extra bedroom and office are designed ensuite creating a slender form and orienting them front to back and setting it back allows the add recede. Curves create a definite departure from the 70s home and by detailing it to "hover like a thought" above the first-floor roof and mentally removable sympathetic add.Existing unrelenting interior walls and a windowless entry, although ideal for fine art was unconducive for the young family of three. Added glass at the front recess welcomes light view and the removal of interior walls not only liberate rooms to communicate with each other but also reinform the cleared central entry space as a hub. Even though the renovation reinforms its relationship with art, the joy and appreciation of art was not dismissed. A metal sculpture lost in the corner of the south side yard bumps the sculpture at the front entrance to the kitchen terrace over an added pedestal. (See plans) Since the roof couldn’t be railed without compromising the one-story '70s composition, the sculpture garden remains physically inaccessible however mirrors flanking the chimney allow the sculptures to be appreciated in three dimensions. The mirrors also afford privacy from the adjacent Tudor's large master bedroom addition 16-feet away.