Chunky posts and rafters with clear perspex create an under-cover path to the entry. Photographer: Clare Noble
メルボルンにある高級な中くらいなコンテンポラリースタイルのおしゃれな家の外観 (ビニールサイディング) の写真

メルボルンにある低価格のコンテンポラリースタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

他の地域にあるコンテンポラリースタイルのおしゃれなグレーの家 (ビニールサイディング) の写真

ニューヨークにあるコンテンポラリースタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

ロサンゼルスにある巨大なコンテンポラリースタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

David Sievers
アデレードにある中くらいなコンテンポラリースタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

Photography by Dale Lang
シアトルにある高級な中くらいなコンテンポラリースタイルのおしゃれな家の外観 (ビニールサイディング) の写真

デンバーにあるラグジュアリーな巨大なコンテンポラリースタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

サンフランシスコにあるコンテンポラリースタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

Photography by Thomas Dalhoff
シドニーにあるコンテンポラリースタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

他の地域にある高級なコンテンポラリースタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

Featured in Galerie Magazine, this formerly Mediterranean-style house in Sausalito was completely transformed into a bold, contemporary home with sweeping views of the bay. The strong and sensitive design collaboration between Nicole Hollis and John Lum was perfectly executed to frame the owner’s extensive art and furniture collection. Appointed throughout with custom architectural metal and woodwork touches, this home features a centerpiece cantilevered steel and oak stair and double steel and glass bridges. John Lum Architecture NICOLEHOLLIS Arterra Landscape Architects Douglas Friedman Photography

Comprised of a set of strong inter-connecting volumes, this contemporary home exudes quality, class and effortless cool. Natural concrete provides a grounding force both inside and out, with timber elements adding warmth and charm to the minimalist interior.

ロサンゼルスにあるラグジュアリーな巨大なコンテンポラリースタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

シアトルにあるお手頃価格の中くらいなコンテンポラリースタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

バンクーバーにある巨大なコンテンポラリースタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

バンクーバーにある巨大なコンテンポラリースタイルのおしゃれな家の外観 (コンクリートサイディング) の写真

ヒューストンにある中くらいなコンテンポラリースタイルのおしゃれな家の外観 (ビニールサイディング) の写真

Exterior - Front Entry Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/