Kitchen, dining area and fire feature. Jason Liske photographer
サンフランシスコにあるコンテンポラリースタイルのおしゃれな裏庭のテラス (砂利舗装) の写真

Photos By; Nate Grant
ポートランドにあるコンテンポラリースタイルのおしゃれな横庭 (ウッドフェンス) の写真

In the evening the garden walls are dramatically lit and the low planting wall transitions into a stone plinth for a soothing stone fountain. Photo Credit: J. Michael Tucker

Photographer: Tom Crane Made of 300, 10-foot steel blades set upright 8 inches apart, the award winning Cor-Ten Cattails Sculptural fence was designed for a home in Berwyn, Pennsylvania as a yard sculpture that also keeps deer out. Made of COR-TEN, a steel alloy that eliminates the need for painting and maintains a rich, dark rust color without corroding, the fence stanchions were cut with a plasma cutter from sheets of the alloy. Each blade stands 8 feet above grade, set in concrete 3 feet below, weighs 80-90 pounds and is 5/8 inch thick. The profile of the blades is an irregular trapezoid with no horizontal connections or supports. Only the gate has two horizontal bars, and each leaf weighs 1200 pounds.

Matthew Millman
サンフランシスコにある中くらいなコンテンポラリースタイルのおしゃれな前庭 (日向、天然石敷き、パーゴラ) の写真

The patio is an outdoor room centered on a raised, gas fire pit and shaded by a row of Swedish Aspens the photographer is peeking through. The porch's cedar siding will weather to match the fence/arbor built 5 years prior. Peter J Sieger Architectural Photography

Photos by Francis and Francis Photography The Anderson Residence is ‘practically’ a new home in one of Las Vegas midcentury modern neighborhoods McNeil. The house is the current home of Ian Anderson the local Herman Miller dealer and Shanna Anderson of Leeland furniture family. When Ian first introduced CSPA studio to the project it was burned down house. Turns out that the house is a 1960 midcentury modern sister of two homes that was destroyed by arson in a dispute between landlord and tenant. Once inside the burned walls it was quite clear what a wonderful house it once was. Great care was taken to try and restore the house to a similar splendor. The reality is the remodel didn’t involve much of the original house, by the time the fire damage was remediated there wasn’t much left. The renovation includes an additional 1000 SF of office, guest bedroom, laundry, mudroom, guest toilet outdoor shower and a garage. The roof line was raised in order to accommodate a forced air mechanical system, but care was taken to keep the lines long and low (appearing) to match the midcentury modern style. The House is an H-shape. Typically houses of this time period would have small rooms with long narrow hallways. However in this case with the walls burned out one can see from one side of the house to other creating a huge feeling space. It was decided to totally open the East side of the house and make the kitchen which gently spills into the living room and wood burning fireplace the public side. New windows and a huge 16’ sliding door were added all the way around the courtyard so that one can see out and across into the private side. On the west side of the house the long thin hallway is opened up by the windows to the courtyard and the long wall offers an opportunity for a gallery style art display. The long hallway opens to two bedrooms, shared bathroom and master bedroom. The end of the hallway opens to a casual living room and the swimming pool area. The house has no formal dining room but a 15’ custom crafted table by Ian’s sculptor father that is an extension of the kitchen island. The H-shape creates two covered areas, one is the front entry courtyard, fenced in by a Brazilian walnut enclosure and crowned by a steel art installation by Ian’s father. The rear covered courtyard is a breezy spot for chilling out on a hot desert day. The pool was re-finished and a shallow soaking deck added. A new barbeque and covered patio added. Some of the large plant material was salvaged and nursed back to health and a complete new desert landscape was re-installed to bring the exterior to life.

A sequence of new fencing at the entry creates a sense of privacy from a busy street. Photo by Cleary O'Farrell
シアトルにあるコンテンポラリースタイルのおしゃれな前庭 (砂利舗装) の写真

The hillside garden responds to movement of the wind, flow of the water and warmth of the sun with an artful integration of storm water management practices. Rhythmic landforms and a grassy swale slow stormwater flow, allowing it to percolate into the ground and divert it away from the house. The meandering path and sitting area nestle in a warm pallet of colors maximizing the use of the side property and views of the San Francisco Bay. Low maintenance and drought & deer tolerant planting provide a gracious transition between the built environment and the adjoining openlands. Michele Lee Wilson Photography

© Todd Haiman Landscape Design
ニューヨークにあるお手頃価格の中くらいなコンテンポラリースタイルのおしゃれな裏庭 (コンクリート敷き ) の写真

ロサンゼルスにある中くらいなコンテンポラリースタイルのおしゃれな裏庭のデッキ (日よけなし) の写真

サンフランシスコにある高級な小さなコンテンポラリースタイルのおしゃれな裏庭のデッキの写真

トロントにあるコンテンポラリースタイルのおしゃれな庭 (砂利舗装) の写真

Golden Goddess bamboo and Mexican weeping bamboo peek through cattle panel fencing and garden wall panels. Photo by Gabriel Frank
サンルイスオビスポにある中くらいなモダンスタイルのおしゃれな裏庭 (ゼリスケープ、半日向、砂利舗装) の写真

This project reimagines an under-used back yard in Portland, Oregon, creating an urban garden with an adjacent writer’s studio. Taking inspiration from Japanese precedents, we conceived of a paving scheme with planters, a cedar soaking tub, a fire pit, and a seven-foot-tall cedar fence. A maple tree forms the focal point and will grow to shade the yard. Board-formed concrete planters house conifers, maples and moss, appropriate to the Pacific Northwest climate. Photo: Anna M Campbell: annamcampbell.com

Eichler in Marinwood - At the larger scale of the property existed a desire to soften and deepen the engagement between the house and the street frontage. As such, the landscaping palette consists of textures chosen for subtlety and granularity. Spaces are layered by way of planting, diaphanous fencing and lighting. The interior engages the front of the house by the insertion of a floor to ceiling glazing at the dining room. Jog-in path from street to house maintains a sense of privacy and sequential unveiling of interior/private spaces. This non-atrium model is invested with the best aspects of the iconic eichler configuration without compromise to the sense of order and orientation. photo: scott hargis

photo by grant wilds
シアトルにあるモダンスタイルのおしゃれな庭の写真

Giovani Lunardi
ポートランドにあるトロピカルスタイルのおしゃれな横庭 (レンガ敷き、庭への小道) の写真

マイアミにあるコンテンポラリースタイルのおしゃれな玄関アプローチの写真