コンテンポラリースタイルの寝室 (濃色無垢フローリング、ライムストーンの床、リノリウムの床、スレートの床、茶色い床、グレーの床) の写真
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写真 1〜20 枚目(全 4,726 枚)
Beth Dotolo, ASID, RID, NCIDQ
design by Pulp Design Studios | http://pulpdesignstudios.com/
photo by Kevin Dotolo | http://kevindotolo.com/
Татьяна Вакуева | Abwarten!
モスクワにある中くらいなコンテンポラリースタイルのおしゃれな主寝室 (グレーの壁、濃色無垢フローリング、茶色い床、全タイプの天井の仕上げ、羽目板の壁、アクセントウォール)
Evolution Design Build Group
ソルトレイクシティにあるコンテンポラリースタイルのおしゃれな寝室 (ベージュの壁、濃色無垢フローリング、茶色い床、塗装板張りの壁) のレイアウト
Kaleidoscope Design Studio
Simple doesn’t have to be boring, especially when your backyard is a lush ravine. This was the name of the game when it came to this traditional cottage-style house, with a contemporary flare. Emphasizing the great bones of the house with a simple pallet and contrasting trim helps to accentuate the high ceilings and classic mouldings, While adding saturated colours, and bold graphic wall murals brings lots of character to the house. This growing family now has the perfectly layered home, with plenty of their personality shining through.
Lemon Grass Interior Architecture
ニューヨークにあるコンテンポラリースタイルのおしゃれな寝室 (グレーの壁、濃色無垢フローリング、標準型暖炉、茶色い床、グレーとブラウン) のインテリア
Architecture Saville Isaacs
Interior - Bedroom
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
BANDD DESIGN
Warm, earthy hues and minimalist furniture make the space ideal for what it’s meant: deep rest and a good night’s sleep.
Project designed by Sara Barney’s Austin interior design studio BANDD DESIGN. They serve the entire Austin area and its surrounding towns, with an emphasis on Round Rock, Lake Travis, West Lake Hills, and Tarrytown.
For more about BANDD DESIGN, click here: https://bandddesign.com/
To learn more about this project, click here: https://bandddesign.com/austin-artistic-home/
Koncept Design + Build
ワシントンD.C.にある中くらいなコンテンポラリースタイルのおしゃれな主寝室 (マルチカラーの壁、濃色無垢フローリング、暖炉なし、茶色い床、グレーとブラウン) のインテリア
Artistic Interior Design/Amy N. Lee, ASID
シャーロットにある中くらいなコンテンポラリースタイルのおしゃれな主寝室 (ベージュの壁、濃色無垢フローリング、暖炉なし、茶色い床) のインテリア
Janette Mallory Interior Design Inc.
Tessa Neustadt
ロサンゼルスにあるコンテンポラリースタイルのおしゃれな寝室 (白い壁、濃色無垢フローリング、茶色い床) のレイアウト
ロサンゼルスにあるコンテンポラリースタイルのおしゃれな寝室 (白い壁、濃色無垢フローリング、茶色い床) のレイアウト
User
This is a room right out of central casting—gorgeous, well dressed, comfortable in the spotlight. The inspiration: the glam and gold notes that embody Hollywood Regency style. Perfect for the part: the hand-knotted rug, grand bed frame (with cushy upholstered headboard), gently curved wing chair, washed silk bedding, and pile of sumptuous pillows.
Five Star Moulding Company
custom built-in/wardrobe in master bedroom.
Lots of hanging space with lots of storage and (8) drawers.
High quality materials only.
トロントにある小さなコンテンポラリースタイルのおしゃれな主寝室 (ベージュの壁、濃色無垢フローリング、暖炉なし、茶色い床) のインテリア
トロントにある小さなコンテンポラリースタイルのおしゃれな主寝室 (ベージュの壁、濃色無垢フローリング、暖炉なし、茶色い床) のインテリア
コンテンポラリースタイルの寝室 (濃色無垢フローリング、ライムストーンの床、リノリウムの床、スレートの床、茶色い床、グレーの床) の写真
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