ニューヨークにある中くらいなコンテンポラリースタイルのおしゃれな階段の写真

Modern staircase with black metal railing, large windows and black sconces.
ローリーにある高級な中くらいなモダンスタイルのおしゃれなスケルトン階段 (木の蹴込み板、金属の手すり) の写真

他の地域にある低価格の小さな北欧スタイルのおしゃれなスケルトン階段 (木の蹴込み板、木材の手すり、壁紙) の写真

ロサンゼルスにある高級な中くらいなインダストリアルスタイルのおしゃれなスケルトン階段 (金属の手すり、レンガ壁、金属の蹴込み板) の写真

カルガリーにある高級な中くらいなモダンスタイルのおしゃれなスケルトン階段 (コンクリートの蹴込み板) の写真

チャールストンにある高級な中くらいなカントリー風のおしゃれなスケルトン階段 (混合材の手すり) の写真

ボローニャにある高級な小さなコンテンポラリースタイルのおしゃれな階段 (金属の蹴込み板、金属の手すり) の写真

Nick Bowers Photography
シドニーにある低価格の小さなコンテンポラリースタイルのおしゃれなスケルトン階段 (木の蹴込み板、木材の手すり) の写真

Main staircase near entry Joe Fletcher
サンフランシスコにある高級な小さなモダンスタイルのおしゃれな階段の写真

Fotograf: Herbert Stolz
他の地域にある中くらいなコンテンポラリースタイルのおしゃれな階段の写真

Here we have a contemporary home in Monterey Heights that is perfect for entertaining on the main and lower level. The vaulted ceilings on the main floor offer space and that open feeling floor plan. Skylights and large windows are offered for natural light throughout the house. The cedar insets on the exterior and the concrete walls are touches we hope you don't miss. As always we put care into our Signature Stair System; floating wood treads with a wrought iron railing detail. Photography: Nazim Nice

The all-glass wine cellar is the focal point of this great room in a beautiful, high-end West Vancouver home. Learn more about this project at http://bluegrousewinecellars.com/West-Vancouver-Custom-Wine-Cellars-Contemporary-Project.html Photo Credit: Kent Kallberg 1621 Welch St North Vancouver, BC V7P 2Y2‎ (604) 929-3180 - bluegrousewinecellars.com

The wood stair appears to be emerging from the library shelving.
ロサンゼルスにあるお手頃価格の小さなモダンスタイルのおしゃれな階段の写真

Internal - Floating Staircase Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

This beautiful floating stairway is constructed of a custom 16 rise scissor stair featuring 3" thick white oak 1/4 sawn treads. It is an open rise and has a 6x8 center steel stringer for structural support. Did you catch a glimpse of the statement fixtures? How about those beautiful hardwood floors?

This interior renovation project took a traditional home in The Landings to a mid-century showpiece. There is a beautiful floating staircase as a focal point in the open floor plan. The black marble fireplace surround is a dramatic feature that spans both levels of this home. A folding door in the eating nook allows for easy access to the terraced back patio and two story sunroom provides great natural light in the living spaces of the home. A hidden door in the hall closet allows access to the technology of the home.

Builder: John Kraemer & Sons | Photography: Landmark Photography
ミネアポリスにある小さなモダンスタイルのおしゃれな階段の写真

The tapered staircase is formed of laminated oak and was supplied and installed by SMET, a Belgian company. It matches the parquet flooring, and sits elegantly in the space by the sliding doors. Structural glass balustrades help maintain just the right balance of solidity, practicality and lightness of touch and allow the proportions of the rooms and front-to-rear views to dominate. Photography: Bruce Hemming

ニューヨークにある中くらいなコンテンポラリースタイルのおしゃれな階段 (ワイヤーの手すり) の写真