グレーのオープン階段 (木材の手すり、トラバーチンの蹴込み板) の写真
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L’appartement a désormais une nouvelle organisation cohérente avec la vie de la famille. Au premier niveau, les enfants occupent toute la zone nuit existante avec leur propre salle de bain. A ce même niveau le séjour doté d'un nouveau socle avec la cuisine légèrement agrandie et ouverte créent un vrai cœur de foyer. L'espace au deuxième niveau appartient aux parents. Une suite avec salle d’eau a été créée à l’étage, ainsi qu‘une buanderie et un bureau. Cet espace est intimisé, isolé du fait de l'escalier, au calme,
The Stair Repair, LLC
For this project, we installed a cable and wood railing system for our client. The combination of open tread stairs and cable keep the space feeling open and airy and provide an updated look for the home. The wood railing was custom stained to match the existing floors and provide a cohesive look throughout the space.
Orren Pickell Building Group
Two-story foyer with open staircase.
3″ thick box treads , 2-1/2″ x 12″ curb stringers, 3″ square posts, and rectangular handrails all in white oak spanning 3 stories
Zack|de Vito Architecture + Construction
Bruca Damonte & Paul Dyer
サンフランシスコにある広いモダンスタイルのおしゃれな階段 (木材の手すり) の写真
サンフランシスコにある広いモダンスタイルのおしゃれな階段 (木材の手すり) の写真
Edwards Smith Construction
Open tread, walnut stairs recessed into wall; vertical steel rods for structure; recessed lit handrail in wall
他の地域にあるコンテンポラリースタイルのおしゃれなオープン階段 (木材の手すり) の写真
他の地域にあるコンテンポラリースタイルのおしゃれなオープン階段 (木材の手すり) の写真
Frits de Vries Architect Ltd.
Silent Sama Architectural Photography
バンクーバーにある中くらいなコンテンポラリースタイルのおしゃれな階段 (木材の手すり) の写真
バンクーバーにある中くらいなコンテンポラリースタイルのおしゃれな階段 (木材の手すり) の写真
Look Master Builder
This open riser maple and glass staircase fits this home perfectly. The light maple stain gives it a cohesive look and help keep the home light and airy.
Alexander Butler | Design Services, LLC
Evening sun illuminating the wood floor “waterfall”
ニューヨークにある高級な広いコンテンポラリースタイルのおしゃれな階段 (木材の手すり) の写真
ニューヨークにある高級な広いコンテンポラリースタイルのおしゃれな階段 (木材の手すり) の写真
CHROFI
The Narrabeen House is located on the edge of Narrabeen Lagoon and is fortunate to have outlook across water to an untouched island dense with casuarinas.
By contrast, the street context is unremarkable without the slightest hint of the lagoon beyond the houses lining the street and manages to give the impression of being deep in suburbia.
The house is new and replaces a former 1970s cream brick house that functioned poorly and like many other houses from the time, did little to engage with the unique environmental qualities of the lagoon.
In starting this project, we clearly wanted to re-dress the connection with the lagoon and island, but also found ourselves drawn to the suburban qualities of the street and this dramatic contrast between the front and back of the property.
This led us to think about the project within the framework of the ‘suburban ideal’ - a framework that would allow the house to address the street as any other suburban house would, while inwardly pursuing the ideals of oasis and retreat where the water experience could be used to maximum impact - in effect, amplifying the current contrast between street and lagoon.
From the street, the house’s composition is built around the entrance, driveway and garage like any typical suburban house however the impact of these domestic elements is diffused by melding them into a singular architectural expression and form. The broad facade combined with the floating skirt detail give the house a horizontal proportion and even though the dark timber cladding gives the building a ‘stealth’ like appearance, it still withholds the drama of the lagoon beyond.
This sets up two key planning strategies.
Firstly, a central courtyard is introduced as the principal organising element for the planning with all of the house’s key public spaces - living room, dining room, kitchen, study and pool - grouped around the courtyard to connect these spaces visually, and physically when the courtyard walls are opened up. The arrangement promotes a socially inclusive dynamic as well as extending the spatial opportunities of the house. The courtyard also has a significant environmental role bringing sun, light and air into the centre of the house.
Secondly, the planning is composed to deliberately isolate the occupant from the suburban surrounds to heighten the sense of oasis and privateness. This process begins at the street bringing visitors through a succession of exterior spaces that gradually compress and remove the street context through a composition of fences, full height screens and thresholds. The entry sequence eventually terminates at a solid doorway where the sense of intrigue peaks. Rather than entering into a hallway, one arrives in the courtyard where the full extent of the private domain, the lagoon and island are revealed and any sense of the outside world removed.
The house also has an unusual sectional arrangement driven partly by the requirement to elevate the interior 1.2m above ground level to safeguard against flooding but also by the desire to have open plan spaces with dual aspect - north for sun and south for the view. Whilst this introduces issues with the scale relationship of the house to its neighbours, it enables a more interesting multi- level relationship between interior and exterior living spaces to occur. This combination of sectional interplay with the layout of spaces in relation to the courtyard is what enables the layering of spaces to occur - it is possible to view the courtyard, living room, lagoon side deck, lagoon and island as backdrop in just one vista from the study.
Flood raising 1200mm helps by introducing level changes that step and advantage the deeper views Porosity radically increases experience of exterior framed views, elevated The vistas from the key living areas and courtyard are composed to heighten the sense of connection with the lagoon and place the island as the key visual terminating feature.
The materiality further develops the notion of oasis with a simple calming palette of warm natural materials that have a beneficial environmental effect while connecting the house with the natural environment of the lagoon and island.
Gordon Reese Design Build
Stairway upgrade. Wood handrail. New Carpet. Carpet staircase. Changed from two level walk way to one level walk way in front of the staircase.
サンフランシスコにある中くらいなトランジショナルスタイルのおしゃれな階段 (木材の手すり) の写真
サンフランシスコにある中くらいなトランジショナルスタイルのおしゃれな階段 (木材の手すり) の写真
Hirodesign.jp
しっかり握れるオリジナルデザインの木製手摺(左側)とワイヤー手摺をタテに使った落下防止柵(右側)。(撮影):粟野展和
大阪にある中くらいなモダンスタイルのおしゃれな階段 (木材の手すり) の写真
大阪にある中くらいなモダンスタイルのおしゃれな階段 (木材の手すり) の写真
The Bazeley Partnership
One of the only surviving examples of a 14thC agricultural building of this type in Cornwall, the ancient Grade II*Listed Medieval Tithe Barn had fallen into dereliction and was on the National Buildings at Risk Register. Numerous previous attempts to obtain planning consent had been unsuccessful, but a detailed and sympathetic approach by The Bazeley Partnership secured the support of English Heritage, thereby enabling this important building to begin a new chapter as a stunning, unique home designed for modern-day living.
A key element of the conversion was the insertion of a contemporary glazed extension which provides a bridge between the older and newer parts of the building. The finished accommodation includes bespoke features such as a new staircase and kitchen and offers an extraordinary blend of old and new in an idyllic location overlooking the Cornish coast.
This complex project required working with traditional building materials and the majority of the stone, timber and slate found on site was utilised in the reconstruction of the barn.
Since completion, the project has been featured in various national and local magazines, as well as being shown on Homes by the Sea on More4.
The project won the prestigious Cornish Buildings Group Main Award for ‘Maer Barn, 14th Century Grade II* Listed Tithe Barn Conversion to Family Dwelling’.
グレーのオープン階段 (木材の手すり、トラバーチンの蹴込み板) の写真
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