緑のホームオフィス・仕事部屋の写真
他の地域の小さい北欧スタイルのおしゃれなホームオフィス・仕事部屋 (白い壁、畳、造り付け机、緑の床) の写真
Cabinet Paint - Benjamin Moore Bunker Hill Green
Wallpaper - Brunschwig Treillage
Window treatment is Kravet 32756-317
Etegares - PB Teen
Parchment desk - Mecox Houston
Desk chair is custom
Chandelier - Mecox Houston
design by christina britt lewis, photography by angela statzer
シャーロットのエクレクティックスタイルのおしゃれなホームオフィス・仕事部屋の写真
ポートランドのコンテンポラリースタイルのおしゃれなホームオフィス・仕事部屋 (茶色い壁、淡色無垢フローリング、自立型机、ベージュの床) の写真
Built In Desk with Plantation Shutters window treatment.
ダラスの中サイズのトラディショナルスタイルのおしゃれな書斎 (緑の壁、暖炉なし、造り付け机) の写真
Custom designed and made desk in cherry with craftsman style detailing
ポートランドの小さいおしゃれなホームオフィス・仕事部屋 (緑の壁) の写真
フェニックスの中サイズのコンテンポラリースタイルのおしゃれなホームオフィス・仕事部屋 (白い壁、カーペット敷き、暖炉なし、造り付け机) の写真
The dramatic citron yellow cabinetry in the owner's home office is custom made by Architexture. It plays off the turquoise walls and fucshia sofa to create it's own space. By leaving the cabinets backless it allows the turquoise to act as an accent.
ローリーの中サイズのエクレクティックスタイルのおしゃれなホームオフィス・仕事部屋 (ライブラリー、緑の壁、無垢フローリング、暖炉なし、自立型机) の写真
The study of the Falcon II model has vibrant green painted walls, white wainscoting that is 42” high with bull nose cap. An additional window was added to the study.
Built in desk and cabinets in a home office.
ソルトレイクシティのトラディショナルスタイルのおしゃれなホームオフィス・仕事部屋の写真
This remodel of an architect’s Seattle bungalow goes beyond simple renovation. It starts with the idea that, once completed, the house should look as if had been built that way originally. At the same time, it recognizes that the way a house was built in 1926 is not for the way we live today. Architectural pop-outs serve as window seats or garden windows. The living room and dinning room have been opened up to create a larger, more flexible space for living and entertaining. The ceiling in the central vestibule was lifted up through the roof and topped with a skylight that provides daylight to the middle of the house. The broken-down garage in the back was transformed into a light-filled office space that the owner-architect refers to as the “studiolo.” Bosworth raised the roof of the stuidiolo by three feet, making the volume more generous, ensuring that light from the north would not be blocked by the neighboring house and trees, and improving the relationship between the studiolo and the house and courtyard.