ミラノにあるラグジュアリーな小さなコンテンポラリースタイルのおしゃれな廊下 (白い壁、テラゾーの床) の写真

オレンジカウンティにあるラグジュアリーな巨大なコンテンポラリースタイルのおしゃれな廊下 (ベージュの壁、テラゾーの床、マルチカラーの床) の写真

A bespoke apartment renovation that was heavily influenced by mid century design.
メルボルンにあるラグジュアリーな中くらいなミッドセンチュリースタイルのおしゃれな廊下 (テラゾーの床) の写真

Arched doorways and marble floors welcome guests into the formal living room in this 1920's home. The hand painted diamond patterned walls were existing when clients moved in. A statement piece console adds drama to this magnificent foyer. Alise O'Brian photography.

From the very first site visit the vision has been to capture the magnificent view and find ways to frame, surprise and combine it with movement through the building. This has been achieved in a Picturesque way by tantalising and choreographing the viewer’s experience. The public-facing facade is muted with simple rendered panels, large overhanging roofs and a single point of entry, taking inspiration from Katsura Palace in Kyoto, Japan. Upon entering the cavernous and womb-like space the eye is drawn to a framed view of the Indian Ocean while the stair draws one down into the main house. Below, the panoramic vista opens up, book-ended by granitic cliffs, capped with lush tropical forests. At the lower living level, the boundary between interior and veranda blur and the infinity pool seemingly flows into the ocean. Behind the stair, half a level up, the private sleeping quarters are concealed from view. Upstairs at entrance level, is a guest bedroom with en-suite bathroom, laundry, storage room and double garage. In addition, the family play-room on this level enjoys superb views in all directions towards the ocean and back into the house via an internal window. In contrast, the annex is on one level, though it retains all the charm and rigour of its bigger sibling. Internally, the colour and material scheme is minimalist with painted concrete and render forming the backdrop to the occasional, understated touches of steel, timber panelling and terrazzo. Externally, the facade starts as a rusticated rougher render base, becoming refined as it ascends the building. The composition of aluminium windows gives an overall impression of elegance, proportion and beauty. Both internally and externally, the structure is exposed and celebrated.

Un lungo 'tappeto' di piastrelle di graniglia recuperate da altri ambienti enfatizza la linearità della geometria dello spazio ed è messo in evidenza da una serie di corpi illuminanti nascosti in una stretta e continua rientranza nera del soffitto. Una nuova libreria in legno laccato nero impreziosisce la parete di sinistra su cui affacciano le vecchie porte recuperate e ristrutturate dietro le quali trovano posto le camere dei ragazzi. Anche il disegno della libreria mira ad enfatizzare, in particolare con le modulari rientranze lineari ricavate nei montanti verticali, la linearità dell'ambiente. Sul fondo si apre uno spazio di distribuzione in cui le porte sono inserite in una boiserie che riprende i ricorsi orizzontali della libreria.

The THINLINE™ - PIVOT series was chosen by Magni Design group to be the main entry way of this beautiful contemporary home nestled in the Hollywood hills.

This is a fabulous view of the hall with a modern twist (See ceramic tiling) with it's bespoke cupboards and traditional had rail and banisters. Into the sitting room and the simple fireplace surrounds allows the eye to gently wander through the room.. Muz- Real Focus Photography 07507 745 655

ベルリンにあるラグジュアリーな中くらいなコンテンポラリースタイルのおしゃれな廊下 (白い壁、リノリウムの床、ベージュの床) の写真

Dès l'entrée le ton est donné avec le style bohème et ses tons chauds
レンヌにあるラグジュアリーな中くらいなシャビーシック調のおしゃれな廊下 (ベージュの壁、リノリウムの床、ベージュの床) の写真

Auf vorhandenem Putz ist eine Spachteltechnik und Verzierungen durch Naturstein-Verblendern. Dies wurde im Nachgang in Weiß beschichtet. Treppenstufen und Handlauf sind im natürlichen Farbton mit Lasur (Klarlack auf Acrylbasis) bearbeitet. Treppenwangen und Streben sind mit Seidenglanz Latex überarbeitet worden. So bekam das gesamte Treppenhaus einen modernen, dennoch klassisch stilvollen Charakter.

フィレンツェにあるラグジュアリーな地中海スタイルのおしゃれな廊下 (テラゾーの床、グレーの床) の写真

Mediateca y Semillero de Empresas en Hangar, para la adecuación de un edificio industrial en la zona portuaria de Rotterdam, Holanda. Giro arquitectónico desde una arquitectura preexistente de carácter fabril, hacia una transformada, mediante la incorporación de elementos estratégicos (aulas, escaleras, puertas...), contemporáneos y coloridos, generando un espacio lúdico y educativo, desligándose de la función y estética original.

Auf vorhandenem Putz ist eine Spachteltechnik und Verzierungen durch Naturstein-Verblendern. Dies wurde im Nachgang in Weiß beschichtet. Treppenstufen und Handlauf sind im natürlichen Farbton mit Lasur (Klarlack auf Acrylbasis) bearbeitet. Treppenwangen und Streben sind mit Seidenglanz Latex überarbeitet worden. So bekam das gesamte Treppenhaus einen modernen, dennoch klassisch stilvollen Charakter.

Laurent Valette
パリにあるラグジュアリーな中くらいなコンテンポラリースタイルのおしゃれな廊下 (赤い壁、テラゾーの床、ベージュの床) の写真

Lo spazio di distribuzione cui si accede tramite il corridoio è rivestito da una boiserie bianca caratterizzata da ricorsi orizzontali che creano una serie di scuri che dominano sui sottili tagli verticali che celano le porte identificabili principalmente dai piccoli pomi squadrati realizzati in ottone su disegno. L'illuminazione ed il pavimento richiamano quella del corridoio. Anche in questo ambiente è centrale il colloquio tra classicità del contesto e contemporaneità dell'intervento.

ミラノにあるラグジュアリーな小さなコンテンポラリースタイルのおしゃれな廊下 (白い壁、テラゾーの床) の写真

style Ethnic chic avec ses matières naturelles
レンヌにあるラグジュアリーな中くらいなシャビーシック調のおしゃれな廊下 (ベージュの壁、リノリウムの床、ベージュの床) の写真

Auf vorhandenem Putz ist eine Spachteltechnik und Verzierungen durch Naturstein-Verblendern. Dies wurde im Nachgang in Weiß beschichtet. Treppenstufen und Handlauf sind im natürlichen Farbton mit Lasur (Klarlack auf Acrylbasis) bearbeitet. Treppenwangen und Streben sind mit Seidenglanz Latex überarbeitet worden. So bekam das gesamte Treppenhaus einen modernen, dennoch klassisch stilvollen Charakter.