Rear facade is an eight-foot addition to the existing home which matched the line of the adjacent neighbor per San Francisco planning codes. Facing a large uphill backyard the new addition houses an open kitchen below with large sliding glass pocket door while above is an enlarged master bedroom suite. Combination of stucco and wood breaks up the facade as do the new Fleetwood aluminum windows.

a linear window, minimalist landscape + hardscape design at the smooth stucco exterior further accentuates the horizontality of the mid-century modern exterior

サンディエゴにある高級な小さなモダンスタイルのおしゃれな家の外観 (漆喰サイディング) の写真

Small home in Austin, Texas Leonid Furmansky Photography
オースティンにある小さなエクレクティックスタイルのおしゃれな家の外観 (漆喰サイディング) の写真

Photo by Eric Zepeda
サンフランシスコにある高級な小さなビーチスタイルのおしゃれな家の外観 (漆喰サイディング) の写真

Cedar and smooth stucco with black windows and doors make for a dynamic, gorgeous and sophisticated finish to this modern pool house. Pops of orange add a burst of fun!

Contemporary design responds to small lot on Anastasia Island. Industrial modern interiors with a rustic flavor complete the vision for this three story small footprint custom residence.

Thomas Drexel, Friedberg
デュッセルドルフにあるお手頃価格の小さなコンテンポラリースタイルのおしゃれな家の外観 (漆喰サイディング) の写真

Mark Letizia New stucco in a terra cotta color and new clay tiles on porch roof really compliment the style of the house.
サンディエゴにあるお手頃価格の小さなサンタフェスタイルのおしゃれな家の外観 (漆喰サイディング) の写真

サンフランシスコにある高級な小さなトランジショナルスタイルのおしゃれな家の外観 (漆喰サイディング、混合材屋根) の写真

他の地域にある高級な小さなコンテンポラリースタイルのおしゃれな家の外観 (漆喰サイディング、デュープレックス) の写真

Our clients wanted a very contemporary addition to their historical brick house. we added a glass box with floor to ceiling windows - the dining table sits in the corner overlooking the view. photo: Cody O'Laughlin

New front facade
サンフランシスコにある高級な小さなコンテンポラリースタイルのおしゃれな家の外観 (漆喰サイディング、緑の外壁) の写真

テルアビブにある小さなモダンスタイルのおしゃれな家の外観 (漆喰サイディング) の写真

This custom hillside home takes advantage of the terrain in order to provide sweeping views of the local Silver Lake neighborhood. A stepped sectional design provides balconies and outdoor space at every level.

Curvaceous geometry shapes this super insulated modern earth-contact home-office set within the desert xeriscape landscape on the outskirts of Phoenix Arizona, USA. This detached Desert Office or Guest House is actually set below the xeriscape desert garden by 30", creating eye level garden views when seated at your desk. Hidden below, completely underground and naturally cooled by the masonry walls in full earth contact, sits a six car garage and storage space. There is a spiral stair connecting the two levels creating the sensation of climbing up and out through the landscaping as you rise up the spiral, passing by the curved glass windows set right at ground level. This property falls withing the City Of Scottsdale Natural Area Open Space (NAOS) area so special attention was required for this sensitive desert land project.

Located in a neighborhood characterized by traditional bungalow style single-family residences, Orange Grove is a new landmark for the City of West Hollywood. The building is sensitively designed and compatible with the neighborhood, but differs in material palette and scale from its neighbors. Referencing architectural conventions of modernism rather than the pitched roof forms of traditional domesticity, the project presents a characteristic that is consistent with the eclectic and often unconventional demographic of West Hollywood. Distinct from neighboring structures, the building creates a strong relationship to the street by virtue of its large amount of highly usable balcony area in the front façade. While there are dramatic and larger scale elements that define the building, it is also broken down into comprehensible human scale parts, and is itself broken down into two different buildings. Orange Grove displays a similar kind of iconoclasm as the Schindler House, an icon of California modernism, located a short distance away. Like the Schindler House, the conventional architectural elements of windows and porches become part of an abstract sculptural ensemble. At the Schindler House, windows are found in the gaps between structural concrete wall panels. At Orange Grove, windows are inserted in gaps between different sections of the building. The design of Orange Grove is generated by a subtle balance of tensions. Building volumes and the placement of windows, doors and balconies are not static but rather constitute an active three-dimensional composition in motion. Each piece of the building is a strong and clearly defined shape, such as the corrugated metal surround that encloses the second story balcony in the east and north facades. Another example of this clear delineation is the use of two square profile balcony surrounds in the front façade that set up a dialogue between them—one is small, the other large, one is open at the front, the other is veiled with stainless steel slats. At the same time each balcony is balanced and related to other elements in the building, the smaller one to the driveway gate below and the other to the roll-up door and first floor balcony. Each building element is intended to read as an abstract form in itself—such as a window becoming a slit or windows becoming a framed box, while also becoming part of a larger whole. Although this building may not mirror the status quo it answers to the desires of consumers in a burgeoning niche market who want large, simple interior volumes of space, and a paradigm based on space, light and industrial materials of the loft rather than the bungalow.

Richard Hatch Photography
他の地域にある小さなコンテンポラリースタイルのおしゃれな家の外観 (漆喰サイディング) の写真

The original facade has been restored and gives nothing away to the modern changes that are within. Image by: Jack Lovel Photography Builders: DIMPAT Construction