Ali Atri Photography
サンフランシスコにあるコンテンポラリースタイルのおしゃれな玄関の写真

ジャクソンにあるシャビーシック調のおしゃれな玄関の写真

他の地域にあるトラディショナルスタイルのおしゃれな玄関の写真

おしゃれな玄関の写真

ロンドンにあるトラディショナルスタイルのおしゃれな玄関の写真

ミネアポリスにある中くらいなトランジショナルスタイルのおしゃれなマッドルーム (ベージュの壁、セラミックタイルの床、青い床) の写真

This project started as a cramped cape with little character and extreme water damage, but over the course of several months, it was transformed into a striking modern home with all the bells and whistles. Being just a short walk from Mackworth Island, the homeowner wanted to capitalize on the excellent location, so everything on the exterior and interior was replaced and upgraded. Walls were torn down on the first floor to make the kitchen, dining, and living areas more open to one another. A large dormer was added to the entire back of the house to increase the ceiling height in both bedrooms and create a more functional space. The completed home marries great function and design with efficiency and adds a little boldness to the neighborhood. Design by Tyler Karu Design + Interiors. Photography by Erin Little.

オースティンにあるビーチスタイルのおしゃれな玄関の写真

マイアミにあるコンテンポラリースタイルのおしゃれな玄関 (ガラスドア) の写真

Exterior - Front Entry Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

Creating a new formal entry was one of the key elements of this project. Architect: The Warner Group. Photographer: Kelly Teich
サンタバーバラにある高級な広い地中海スタイルのおしゃれな玄関ドア (白い壁、セラミックタイルの床、ガラスドア、赤い床) の写真

ロサンゼルスにあるモダンスタイルのおしゃれな玄関の写真

Winner of the 2018 Tour of Homes Best Remodel, this whole house re-design of a 1963 Bennet & Johnson mid-century raised ranch home is a beautiful example of the magic we can weave through the application of more sustainable modern design principles to existing spaces. We worked closely with our client on extensive updates to create a modernized MCM gem.

ポートランドにあるコンテンポラリースタイルのおしゃれな玄関ドアの写真

Front door Entry open to courtyard atrium with Dining Room and Family Room beyond. Photo by Clark Dugger
オレンジカウンティにあるラグジュアリーな広いミッドセンチュリースタイルのおしゃれな玄関ロビー (白い壁、淡色無垢フローリング、黒いドア、ベージュの床) の写真

他の地域にあるラグジュアリーな巨大なトラディショナルスタイルのおしゃれな玄関ロビー (濃色無垢フローリング、白いドア、茶色い床、白い壁) の写真

Shelby Halberg Photography
マイアミにある広いコンテンポラリースタイルのおしゃれな玄関ロビー (グレーの壁、磁器タイルの床、ガラスドア、白い床) の写真

Tim Stone
デンバーにあるラグジュアリーな広いトランジショナルスタイルのおしゃれな玄関ロビー (ベージュの壁、無垢フローリング、木目調のドア) の写真

The complementary colors of a natural stone wall, bluestone caps and a bluestone pathway with welcoming sitting area give this home a unique look.
ニューヨークにある中くらいなラスティックスタイルのおしゃれな玄関 (青いドア、グレーの壁、スレートの床) の写真