Featured here is Drum Dining Chair, Cane Chair Abigail, Line Credenza, Karar Vase, Misra Vase, Mango Deco, JH03 Print, JH01 Print, Shaperalito Print, Serious Dreamer Print, Le Chat Chic Print and Blomst Print 6.

Interior - Living Room and Dining Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

パリにあるコンテンポラリースタイルのおしゃれなダイニング (朝食スペース、白い壁、コンクリートの床、ベージュの床、表し梁) の写真

ロンドンにあるコンテンポラリースタイルのおしゃれなダイニング (白い壁、コンクリートの床、グレーの床) の写真

シドニーにあるお手頃価格の中くらいなビーチスタイルのおしゃれなLDK (白い壁、コンクリートの床、グレーの床) の写真

パリにあるコンテンポラリースタイルのおしゃれなLDK (白い壁、コンクリートの床、グレーの床) の写真

Karla Garcia
マイアミにあるお手頃価格の広いビーチスタイルのおしゃれなダイニングキッチン (白い壁、コンクリートの床、ベージュの床) の写真

他の地域にある中くらいなモダンスタイルのおしゃれなダイニングキッチン (白い壁、コンクリートの床、グレーの床) の写真

バッキンガムシャーにある中くらいなコンテンポラリースタイルのおしゃれな独立型ダイニング (白い壁、コンクリートの床、薪ストーブ、金属の暖炉まわり、グレーの床) の写真

Photo: Nic Lehoux. For custom luxury metal windows and doors, contact sales@brombalusa.com
シアトルにあるインダストリアルスタイルのおしゃれなLDK (ベージュの壁、コンクリートの床、グレーの床) の写真

モントリオールにあるインダストリアルスタイルのおしゃれなLDK (白い壁、コンクリートの床、グレーの床) の写真

コルカタにある中くらいなおしゃれなLDK (グレーの壁、コンクリートの床、グレーの床) の写真

Robert Yu
ダラスにある中くらいなモダンスタイルのおしゃれなLDK (グレーの壁、コンクリートの床、暖炉なし、グレーの床) の写真

サンフランシスコにあるお手頃価格の中くらいなミッドセンチュリースタイルのおしゃれなLDK (白い壁、コンクリートの床、暖炉なし) の写真

Builder: John Kraemer & Sons | Photography: Landmark Photography
ミネアポリスにある小さなモダンスタイルのおしゃれなLDK (ベージュの壁、コンクリートの床、石材の暖炉まわり) の写真

のどかな田園風景の中に建つ、古民家などに見られる土間空間を、現代風に生活の一部に取り込んだ住まいです。 本来土間とは、屋外からの入口である玄関的な要素と、作業場・炊事場などの空間で、いずれも土足で使う空間でした。 そして、今の日本の住まいの大半は、玄関で靴を脱ぎ、玄関ホール／廊下を通り、各部屋へアクセス。という動線が一般的な空間構成となりました。 今回の計画では、”玄関ホール／廊下”を現代の土間と置き換える事、そして、土間を大々的に一つの生活空間として捉える事で、土間という要素を現代の生活に違和感無く取り込めるのではないかと考えました。 土間は、玄関からキッチン・ダイニングまでフラットに繋がり、内なのに外のような、曖昧な領域の中で空間を連続的に繋げていきます。また、”廊下”という住まいの中での緩衝帯を失くし、土間・キッチン・ダイニング・リビングを田の字型に配置する事で、動線的にも、そして空間的にも、無理なく・無駄なく回遊できる、シンプルで且つ合理的な住まいとなっています。

Custom maple cabinets by Sanders Woodworks. photography by John McManus
チャールストンにある小さなコンテンポラリースタイルのおしゃれなダイニングキッチン (白い壁、コンクリートの床) の写真

Die Rückwand hinter der Sitzbank wurde mit einer schlammfarbenen Strukturtapete optisch aufgewertet. Die indirekte Beleuchtung verstärkt den Reliefeindruck. http://www.jungnickel-fotografie.de

Light filled dining area with power floated concrete floor and exposed brickwork and beams dressed in white. Low profile industrial glazing opens onto the garden visible beyond. Photography: Tim Crocker Photogrpahy: Tim Crocker