Le mobilier de cuisine fabriqué sur mesure surmonté d'un plan de travail en orme galeux massif.
パリにある高級な中くらいなカントリー風のおしゃれな独立型ダイニング (ベージュの壁、テラコッタタイルの床、標準型暖炉、積石の暖炉まわり、赤い床、表し梁) の写真

We refurbished this dining room, replacing the old 1930's tiled fireplace surround with this rather beautiful sandstone bolection fire surround. The challenge in the room was working with the existing pieces that the client wished to keep such as the rustic oak china cabinet in the fireplace alcove and the matching nest of tables and making it work with the newer pieces specified for the sapce.

Rénovation d'un appartement de 60m2 sur l'île Saint-Louis à Paris. 2019 Photos Laura Jacques Design Charlotte Féquet
パリにあるお手頃価格の中くらいなコンテンポラリースタイルのおしゃれなダイニング (白い壁、テラコッタタイルの床、標準型暖炉、タイルの暖炉まわり、赤い床) の写真

他の地域にあるラグジュアリーな広いビーチスタイルのおしゃれなLDK (白い壁、無垢フローリング、標準型暖炉、石材の暖炉まわり、赤い床) の写真

Open dining room with large glass light fixture. Wood ceilings and floor with stairs in the distance.
オマハにあるラグジュアリーな中くらいなラスティックスタイルのおしゃれなダイニングキッチン (無垢フローリング、標準型暖炉、石材の暖炉まわり、赤い床、板張り天井) の写真

アルバカーキにある広いサンタフェスタイルのおしゃれなダイニング (ベージュの壁、レンガの床、標準型暖炉、漆喰の暖炉まわり、赤い床、表し梁、三角天井、板張り天井) の写真

マイアミにある地中海スタイルのおしゃれなダイニング (ベージュの壁、標準型暖炉、タイルの暖炉まわり、赤い床) の写真

Gemain Herriau
レンヌにある高級な小さなエクレクティックスタイルのおしゃれなLDK (青い壁、テラコッタタイルの床、標準型暖炉、レンガの暖炉まわり、赤い床) の写真

All new windows and patio doors installed in this terrific dining room and living room decorated for the holidays. We hope you all have a wonderful holiday season this year! Windows from Renewal by Andersen Long Island

他の地域にある地中海スタイルのおしゃれなダイニング (黄色い壁、テラコッタタイルの床、標準型暖炉、木材の暖炉まわり、赤い床) の写真

Michael Hunter
ヒューストンにあるラグジュアリーな広いサンタフェスタイルのおしゃれなLDK (白い壁、テラコッタタイルの床、標準型暖炉、タイルの暖炉まわり、赤い床) の写真

BÉATRICE SAURIN
他の地域にある中くらいなカントリー風のおしゃれなLDK (グレーの壁、テラコッタタイルの床、標準型暖炉、石材の暖炉まわり、赤い床) の写真

マイアミにある高級な中くらいなトラディショナルスタイルのおしゃれな独立型ダイニング (茶色い壁、テラコッタタイルの床、標準型暖炉、木材の暖炉まわり、赤い床) の写真

オレンジカウンティにある中くらいな地中海スタイルのおしゃれな独立型ダイニング (ベージュの壁、セラミックタイルの床、赤い床、標準型暖炉、タイルの暖炉まわり) の写真

Rénovation complète de la partie jour ( Salon,Salle a manger, entrée) d'une villa de plus de 200m² dans les Hautes-Alpes. Nous avons conservé les tomettes au sol ainsi que les poutres apparentes.

サンディエゴにある高級な巨大な地中海スタイルのおしゃれな独立型ダイニング (白い壁、標準型暖炉、レンガの暖炉まわり、レンガの床、赤い床) の写真

Langhorne Carpet Company proudly announces its latest collaboration with Vermont Custom Rug Company’s David Hunt on an elegant reproduction of the early 19th century worsted wool carpet for the dining room of historic Hyde Hall. A National Historic Landmark and New York State Historic Site in Springfield, NY, eight miles north of Cooperstown, Hyde Hall is considered “one of the finest examples of the neoclassical country houses in the United States.” The agricultural estate was the project and prize of wealthy British-born landowner George Clarke (1768-1835). Clarke owned 120,000 acres in New York’s Leatherstocking Region and designed Hyde Hall on the bank of Otsego Lake with Albany architect Philip Hooker. The mansion, the estate’s centerpiece, was constructed from 1817 to 1835. Today, Hyde Hall resides within Glimmerglass State Park. Recent years have brought Hyde Hall a meticulous, history-driven, artisan-fueled restoration to recreate Clarke’s precise original vision. David Hunt chose Langhorne Carpet Company to recreate the Brussels looped pile carpet for the property’s dining room. Made from the finest worsted wool, a yarn used today almost exclusively in apparel, Brussels carpets were a 19th-century status symbol among America’s wealthiest citizens, including presidents and major landowners. According to Clarke’s scrupulously kept ledgers, in 1831 he purchased “122 linear yards of Brussels body carpet, along with 24 yards of Brussels border carpet from the showroom of Lowe & Connah in New York City for the sum of $308.00. A hefty amount for the period,” said Hunt. The carpet—which, Hunt said, may well be one of the first examples Wilton carpet woven in the United States—remained in the dining room through the end of the 19th century. As for the two tuffets? They not only survive—they also remain covered in the original textile. This existence of these original tuffets for nearly two centuries, said Hunt, is both incredibly rare and fortuitous. “Having a documented portion of the original carpet, intact 186 years after manufacture, is, for the textile historian, a gold mine of information. Although the border portion of the design remains most visible, having the ability to document and verify the yarn quality, sett (pattern) of the weave and most importantly the original colors is huge.” Hunt “dissected” the tuffets to reveal the yarn that, like in all Wilton weaves, is buried beneath the textile’s back, unexposed to sunlight, air, or cleaning agents. When he did, he found the carpet’s original colors and pattern. From there, he and Langhorne used a black-and-white photograph of the original carpet to create a botanical pattern for the field that would, he said, “honor the style of the border.” He then turned over the work to Langhorne, to create the patterns, match the dye colors, and weave the carpets on narrow looms much like the ones used 200 years ago. Langhorne, he added, is the only mill in the United States—and one of very few in the entire world—capable of doing such a job. “Langhorne has this wonderful capability to do all sorts of different things. I don’t think a lot of people understand that option is out there, and it’s a lot easier than you think to do it,” he said. What’s more, “They’re real people, working people—the folks on the loom, the weavers, the folks in the office: Except for the clothing, they’re the same type of people you would have found in a mill 200 years ago. It takes special people to do this, and that’s Langhorne.”

Luminaire contemporain TOM DIXON, papier peint TAPET CAFE. BÉATRICE SAURIN
他の地域にある中くらいなカントリー風のおしゃれなLDK (グレーの壁、テラコッタタイルの床、標準型暖炉、石材の暖炉まわり、赤い床) の写真

他の地域にある地中海スタイルのおしゃれなLDK (白い壁、テラコッタタイルの床、標準型暖炉、赤い床) の写真