ニューヨークにある中くらいなコンテンポラリースタイルのおしゃれな階段 (木の蹴込み板、ガラスフェンス) の写真

To create a more open plan, our solution was to replace the current enclosed stair with an open, glass stair and to create a proper dining space where the third bedroom used to be. This allows the light from the large living room windows to cascade down the length of the apartment brightening the front entry. The Venetian plaster wall anchors the new stair case and LED lights illuminate each glass tread. Photography: Anice Hoachlander, Hopachlander Davis Photography

Toronto’s Upside Development completed this contemporary new construction in Otonabee, North York.
トロントにある中くらいなコンテンポラリースタイルのおしゃれな階段 (ガラスフェンス) の写真

This shot beautifully captures all of the different materials used in the staircase from the entry way to the upper floors and guest quarters. The steps are made of kiln dried fir beams from the Oregon Coast, each beam was a free of heart center cut. The railing was built in place to make it look as though it was all on continuous piece. The steps to the third floor office in the top left of the picture are floating and held in place with metal support in the grinder finish. The flooring in the entry way is 2'x3' tiles of Pennsylvania Bluestone. In the bottom left hand corner is a reclaimed sliding barn door that leads to the laundry room, made in a patchwork pattern by local artist, Rob Payne. Photography by Marie-Dominique Verdier

サンディエゴにある高級な中くらいなコンテンポラリースタイルのおしゃれな折り返し階段 (タイルの蹴込み板、ガラスフェンス) の写真

the stair was moved from the front of the loft to the living room to make room for a new nursery upstairs. the stair has oak treads with glass and blackened steel rails. the top three treads of the stair cantilever over the wall. the wall separating the kitchen from the living room was removed creating an open kitchen. the apartment has beautiful exposed cast iron columns original to the buildings 19th century structure.

Internal - Floating Staircase Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

パリにあるお手頃価格の中くらいなコンテンポラリースタイルのおしゃれなかね折れ階段 (コンクリートの蹴込み板、ガラスフェンス) の写真

Fotografie: Alex Farinelli
他の地域にある高級な中くらいなコンテンポラリースタイルのおしゃれな直階段 (タイルの蹴込み板、ガラスフェンス) の写真

ハンブルクにある中くらいなコンテンポラリースタイルのおしゃれな階段 (ガラスフェンス) の写真

Luke Casserly
ロンドンにある中くらいなコンテンポラリースタイルのおしゃれな階段 (ガラスフェンス、木の蹴込み板) の写真

Frame-less Glass Railings featuring a Stainless Steel Flat-bar Handrail
タンパにある中くらいなコンテンポラリースタイルのおしゃれなスケルトン階段 (木の蹴込み板、ガラスフェンス) の写真

カルガリーにある中くらいなコンテンポラリースタイルのおしゃれなスケルトン階段 (ガラスフェンス) の写真

他の地域にある高級な中くらいなコンテンポラリースタイルのおしゃれなサーキュラー階段 (木の蹴込み板、ガラスフェンス) の写真

ソルトレイクシティにある中くらいなコンテンポラリースタイルのおしゃれな折り返し階段 (金属の蹴込み板、ガラスフェンス) の写真

On one side a 'living wall' ties the two levels together and, amongst other things, softens the acoustics in what could otherwise feel more like a gloomy and echoing lightwell. Photographer: Bruce Hemming

マドリードにある中くらいなコンテンポラリースタイルのおしゃれな階段 (ガラスフェンス) の写真

A modern interior gets an instant upgrade with this LED glass panel guardrail. Order this style for your own home by going online at www.glmetalfab.com and select Add to Quote, or save this on Pinterest.

ロンドンにある中くらいなコンテンポラリースタイルのおしゃれな階段 (木の蹴込み板、ガラスフェンス) の写真