外観

窓枠や軒天に天然木を使用し、住むにつれて経年変化を楽しめます。
名古屋にあるコンテンポラリースタイルのおしゃれな家の外観の写真

写真撮影：繁田　諭
他の地域にある中くらいなコンテンポラリースタイルのおしゃれな家の外観 (長方形) の写真

This modern farmhouse located outside of Spokane, Washington, creates a prominent focal point among the landscape of rolling plains. The composition of the home is dominated by three steep gable rooflines linked together by a central spine. This unique design evokes a sense of expansion and contraction from one space to the next. Vertical cedar siding, poured concrete, and zinc gray metal elements clad the modern farmhouse, which, combined with a shop that has the aesthetic of a weathered barn, creates a sense of modernity that remains rooted to the surrounding environment. The Glo double pane A5 Series windows and doors were selected for the project because of their sleek, modern aesthetic and advanced thermal technology over traditional aluminum windows. High performance spacers, low iron glass, larger continuous thermal breaks, and multiple air seals allows the A5 Series to deliver high performance values and cost effective durability while remaining a sophisticated and stylish design choice. Strategically placed operable windows paired with large expanses of fixed picture windows provide natural ventilation and a visual connection to the outdoors.

Exterior - Front Entry Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

The front facade is composed of bricks, shiplap timber cladding and James Hardie Scyon Axon cladding, painted in Dulux Blackwood Bay. Photography: Tess Kelly

デトロイトにあるコンテンポラリースタイルのおしゃれな家の外観の写真

シドニーにあるコンテンポラリースタイルのおしゃれな家の外観 (混合材サイディング) の写真

プロビデンスにある中くらいなコンテンポラリースタイルのおしゃれな家の外観の写真

Nick Springett Photography
ロサンゼルスにあるラグジュアリーな巨大なコンテンポラリースタイルのおしゃれな家の外観 (石材サイディング) の写真

Irvin Serrano
ポートランド(メイン)にあるコンテンポラリースタイルのおしゃれな家の外観の写真

Hill Country Contemporary House | Exterior | Paula Ables Interiors | Heated pool and spa with electric cover to protect from the fall out of nearby trees | Natural stone | Mixed materials | Photo by Coles Hairston | Architecture by James D. LaRue Architects

タンパにある高級なコンテンポラリースタイルのおしゃれな家の外観 (漆喰サイディング) の写真

オレンジカウンティにあるコンテンポラリースタイルのおしゃれな家の外観 (マルチカラーの外壁) の写真

ミュンヘンにあるコンテンポラリースタイルのおしゃれな家の外観 (下見板張り) の写真

サンシャインコーストにあるコンテンポラリースタイルのおしゃれな家の外観 (外階段) の写真

デンバーにあるラグジュアリーなコンテンポラリースタイルのおしゃれな家の外観 (漆喰サイディング) の写真

Graced with character and a history, this grand merchant’s terrace was restored and expanded to suit the demands of a family of five.
シドニーにあるコンテンポラリースタイルのおしゃれな家の外観の写真

Beautiful landscaping design path to this modern rustic home in Hartford, Austin, Texas, 2022 project By Darash
オースティンにあるラグジュアリーなコンテンポラリースタイルのおしゃれな家の外観 (縦張り) の写真

Rear elevation of a Victorian terraced home
ロンドンにある高級な中くらいなコンテンポラリースタイルのおしゃれな家の外観 (レンガサイディング、タウンハウス) の写真