コンテンポラリースタイルの寝室 (茶色い床、緑の床、マルチカラーの床) の写真
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Mauricio Nava Design, LLC
ヒューストンにある広いコンテンポラリースタイルのおしゃれな主寝室 (茶色い床、壁紙、グレーの壁、濃色無垢フローリング、折り上げ天井、グレーとブラウン) のレイアウト
Бюро IVA
Мастер-спальня
Данное помещение не должно было отличаться от остальных по стилю и изначально предполагало максимальный аскетизм и строгость в интерьере. Тем не менее, возведение четырех одинаково серых стен не выход, поэтому упор сделан на стену в изголовье кровати. Она выполнена в текстуре камня, но поскольку камень, сам по себе материал довольно холодный и тяжелый, более того, имеет швы, мы выбрали декоративную штукатурку, которая выполнена по индивидуальным образцам, согласованными с клиентом.
Освещение в комнате, по аналогии с кухней-гостиной, имеет большое количество сценариев. Кроме верхнего общего света в виде точечных светильников и люстры в комнате есть светодиодная лента спрятанная в нише,что позволяет создать приятную вечернюю атмосферу в мягком свете. У каждой тумбочки есть индивидуальная лампа для чтения, также есть и подсветка рабочей поверхности письменного стола.
DATE Interiors
photography by Seth Caplan, styling by Mariana Marcki
ニューヨークにある中くらいなコンテンポラリースタイルのおしゃれな主寝室 (ベージュの壁、無垢フローリング、茶色い床、表し梁) のインテリア
ニューヨークにある中くらいなコンテンポラリースタイルのおしゃれな主寝室 (ベージュの壁、無垢フローリング、茶色い床、表し梁) のインテリア
Architecture Saville Isaacs
Interior - Bedroom
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
Fireplace Stone & Patio
Allow the unique flame pattern of the Vector fireplace series to create a long-lasting focal point in your home.
オマハにある広いコンテンポラリースタイルのおしゃれな寝室 (ベージュの壁、淡色無垢フローリング、標準型暖炉、茶色い床)
オマハにある広いコンテンポラリースタイルのおしゃれな寝室 (ベージュの壁、淡色無垢フローリング、標準型暖炉、茶色い床)
Raad Studio
Photo by Allan Zepeda
ニューヨークにある小さなコンテンポラリースタイルのおしゃれな主寝室 (白い壁、無垢フローリング、暖炉なし、茶色い床、グレーとブラウン) のレイアウト
ニューヨークにある小さなコンテンポラリースタイルのおしゃれな主寝室 (白い壁、無垢フローリング、暖炉なし、茶色い床、グレーとブラウン) のレイアウト
Richard Bubnowski Design LLC
Donna Grimes, Serenity Design (Interior Design)
Sam Oberter Photography LLC
2012 Design Excellence Awards, Residential Design+Build Magazine
2011 Watermark Award
Slow & Chic - Interiorismo
Diseño de dormitorio con palillería de roble
マドリードにある中くらいなコンテンポラリースタイルのおしゃれな主寝室 (グレーの壁、無垢フローリング、茶色い床、板張り壁、グレーと黒)
マドリードにある中くらいなコンテンポラリースタイルのおしゃれな主寝室 (グレーの壁、無垢フローリング、茶色い床、板張り壁、グレーと黒)
Екатерина и Андрей Санниковы | Scandinavi
他の地域にある中くらいなコンテンポラリースタイルのおしゃれな主寝室 (黒い壁、クッションフロア、暖炉なし、茶色い床、クロスの天井、パネル壁、アクセントウォール) のインテリア
Анастасия Габдрахимова
他の地域にある中くらいなコンテンポラリースタイルのおしゃれな主寝室 (ベージュの壁、無垢フローリング、茶色い床、板張り壁、アクセントウォール) のインテリア
コンテンポラリースタイルの寝室 (茶色い床、緑の床、マルチカラーの床) の写真
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