シカゴにあるコンテンポラリースタイルのおしゃれな主寝室 (グレーの壁、濃色無垢フローリング、茶色い床、壁紙)

Interior - Bedroom Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

Stephani Buchman
トロントにある広いコンテンポラリースタイルのおしゃれな主寝室 (グレーの壁、濃色無垢フローリング)

サンフランシスコにあるコンテンポラリースタイルのおしゃれな客用寝室 (白い壁、濃色無垢フローリング、暖炉なし) のレイアウト

サンタバーバラにある広いコンテンポラリースタイルのおしゃれな主寝室 (白い壁、濃色無垢フローリング、標準型暖炉、石材の暖炉まわり、黒い床、パネル壁)

トロントにある小さなコンテンポラリースタイルのおしゃれな主寝室 (ベージュの壁、濃色無垢フローリング、茶色い床) のレイアウト

To create intimacy in the voluminous master bedroom, the fireplace wall was clad with a charcoal-hued, leather-like vinyl wallpaper that wraps up and over the ceiling and down the opposite wall, where it serves as a dynamic headboard. Project Details // Now and Zen Renovation, Paradise Valley, Arizona Architecture: Drewett Works Builder: Brimley Development Interior Designer: Ownby Design Photographer: Dino Tonn Millwork: Rysso Peters Limestone (Demitasse) walls: Solstice Stone Windows (Arcadia): Elevation Window & Door Faux plants: Botanical Elegance https://www.drewettworks.com/now-and-zen/

ソルトレイクシティにあるコンテンポラリースタイルのおしゃれな寝室 (ベージュの壁、濃色無垢フローリング、茶色い床、塗装板張りの壁) のレイアウト

La camera matrimoniale è caratterizzata da un letto in velluto di colore verde, comodini di Kartell i componibili e un'armadiatura di Caccaro sulla parete ad angolo e nel corridoio d'ingresso. La parete dietro alla testata del letto è rivestita con carta da parati Glamora. Foto di Simone Marulli

パリにある中くらいなコンテンポラリースタイルのおしゃれな寝室 (濃色無垢フローリング、茶色い床、壁紙、オレンジの壁) のインテリア

オースティンにある中くらいなコンテンポラリースタイルのおしゃれな主寝室 (白い壁、濃色無垢フローリング、暖炉なし、茶色い床) のインテリア

Master bedroom with sliding glass doors to private deck and garden outlook
メルボルンにあるコンテンポラリースタイルのおしゃれな主寝室 (茶色い床、黒い壁、濃色無垢フローリング、グレーと黒) のレイアウト

Master bedroom
他の地域にある広いコンテンポラリースタイルのおしゃれな主寝室 (濃色無垢フローリング、暖炉なし、茶色い床) のレイアウト

ボストンにあるコンテンポラリースタイルのおしゃれな客用寝室 (グレーの壁、濃色無垢フローリング、茶色い床、グレーとブラウン) のインテリア

オレンジカウンティにあるコンテンポラリースタイルのおしゃれな寝室 (白い壁、濃色無垢フローリング、茶色い床、グレーとブラウン)

We infused jewel tones and fun art into this Austin home. Project designed by Sara Barney’s Austin interior design studio BANDD DESIGN. They serve the entire Austin area and its surrounding towns, with an emphasis on Round Rock, Lake Travis, West Lake Hills, and Tarrytown. For more about BANDD DESIGN, click here: https://bandddesign.com/ To learn more about this project, click here: https://bandddesign.com/austin-artistic-home/

モスクワにあるコンテンポラリースタイルのおしゃれな主寝室 (濃色無垢フローリング、暖炉なし) のレイアウト

モスクワにあるコンテンポラリースタイルのおしゃれな主寝室 (グレーの壁、濃色無垢フローリング、茶色い床) のインテリア

Дина Александрова
モスクワにあるコンテンポラリースタイルのおしゃれな主寝室 (青い壁、濃色無垢フローリング、茶色い床) のレイアウト