Мастер-спальня Данное помещение не должно было отличаться от остальных по стилю и изначально предполагало максимальный аскетизм и строгость в интерьере. Тем не менее, возведение четырех одинаково серых стен не выход, поэтому упор сделан на стену в изголовье кровати. Она выполнена в текстуре камня, но поскольку камень, сам по себе материал довольно холодный и тяжелый, более того, имеет швы, мы выбрали декоративную штукатурку, которая выполнена по индивидуальным образцам, согласованными с клиентом. Освещение в комнате, по аналогии с кухней-гостиной, имеет большое количество сценариев. Кроме верхнего общего света в виде точечных светильников и люстры в комнате есть светодиодная лента спрятанная в нише,что позволяет создать приятную вечернюю атмосферу в мягком свете. У каждой тумбочки есть индивидуальная лампа для чтения, также есть и подсветка рабочей поверхности письменного стола.

トロントにある中くらいなコンテンポラリースタイルのおしゃれな寝室 (白い壁、無垢フローリング、茶色い床、三角天井) のレイアウト

トロントにある中くらいなコンテンポラリースタイルのおしゃれな寝室 (緑の壁、無垢フローリング、茶色い床、塗装板張りの壁) のインテリア

photography by Seth Caplan, styling by Mariana Marcki
ニューヨークにある中くらいなコンテンポラリースタイルのおしゃれな主寝室 (ベージュの壁、無垢フローリング、茶色い床、表し梁) のインテリア

Interior - Bedroom Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

Allow the unique flame pattern of the Vector fireplace series to create a long-lasting focal point in your home.
オマハにある広いコンテンポラリースタイルのおしゃれな寝室 (ベージュの壁、淡色無垢フローリング、標準型暖炉、茶色い床)

プネーにある中くらいなコンテンポラリースタイルのおしゃれな寝室 (グレーの壁、無垢フローリング、茶色い床、グレーとブラウン) のレイアウト

Michael J. Lee
ボストンにある広いコンテンポラリースタイルのおしゃれな主寝室 (グレーの壁、無垢フローリング、茶色い床、グレーとブラウン)

Photo by Allan Zepeda
ニューヨークにある小さなコンテンポラリースタイルのおしゃれな主寝室 (白い壁、無垢フローリング、暖炉なし、茶色い床、グレーとブラウン) のレイアウト

Donna Grimes, Serenity Design (Interior Design) Sam Oberter Photography LLC 2012 Design Excellence Awards, Residential Design+Build Magazine 2011 Watermark Award

他の地域にあるコンテンポラリースタイルのおしゃれな寝室 (マルチカラーの壁、無垢フローリング、茶色い床)

Diseño de dormitorio con palillería de roble
マドリードにある中くらいなコンテンポラリースタイルのおしゃれな主寝室 (グレーの壁、無垢フローリング、茶色い床、板張り壁、グレーと黒)

ロンドンにあるコンテンポラリースタイルのおしゃれな寝室 (ベージュの壁、無垢フローリング、茶色い床、壁紙、折り上げ天井) のレイアウト

シカゴにあるコンテンポラリースタイルのおしゃれな寝室 (グレーの壁、無垢フローリング、茶色い床、壁紙) のレイアウト

他の地域にある中くらいなコンテンポラリースタイルのおしゃれな主寝室 (黒い壁、クッションフロア、暖炉なし、茶色い床、クロスの天井、パネル壁、アクセントウォール) のインテリア

他の地域にある中くらいなコンテンポラリースタイルのおしゃれな主寝室 (ベージュの壁、無垢フローリング、茶色い床、板張り壁、アクセントウォール) のインテリア

トロントにある小さなコンテンポラリースタイルのおしゃれな主寝室 (ベージュの壁、濃色無垢フローリング、茶色い床) のレイアウト

Апартаменты для временного проживания семьи из двух человек в ЖК TriBeCa. Интерьеры выполнены в современном стиле. Дизайн в проекте получился лаконичный, спокойный, но с интересными акцентами, изящно дополняющими общую картину. Зеркальные панели в прихожей увеличивают пространство, смотрятся стильно и оригинально. Современные картины в гостиной и спальне дополняют общую композицию и объединяют все цвета и полутона, которые мы использовали, создавая гармоничное пространство

モスクワにあるコンテンポラリースタイルのおしゃれな寝室 (緑の壁、無垢フローリング、茶色い床) のレイアウト