室内の親密さと外の開放感を併せもつ上質な眠りの場所
名古屋にあるアジアンスタイルのおしゃれな主寝室 (ベージュの壁、無垢フローリング、茶色い床)

寝室／Photo：Kai Nakamura
他の地域にある中くらいなモダンスタイルのおしゃれな主寝室 (濃色無垢フローリング、茶色い床、グレーの壁、グレーとブラウン)

Relaxing neutral tones and masculine blue accents provide a tailored, traditional bedroom atmosphere. Design: Wesley-Wayne Interiors Photo: Stephen Karlisch

マイアミにある広いトランジショナルスタイルのおしゃれな主寝室 (グレーの壁、無垢フローリング、茶色い床、暖炉なし、アクセントウォール、グレーとブラウン)

ロンドンにあるトランジショナルスタイルのおしゃれな寝室 (グレーの壁、濃色無垢フローリング、茶色い床、壁紙) のインテリア

トロントにある中くらいなコンテンポラリースタイルのおしゃれな寝室 (緑の壁、無垢フローリング、茶色い床、塗装板張りの壁) のインテリア

マイアミにある中くらいなシャビーシック調のおしゃれな寝室 (白い壁、濃色無垢フローリング、茶色い床)

The son’s bedroom celebrates his love for outdoor sports.
マイアミにある広いトランジショナルスタイルのおしゃれな客用寝室 (青い壁、淡色無垢フローリング、茶色い床、白い天井)

シカゴにあるコンテンポラリースタイルのおしゃれな主寝室 (グレーの壁、濃色無垢フローリング、茶色い床、壁紙)

photography by Seth Caplan, styling by Mariana Marcki
ニューヨークにある中くらいなコンテンポラリースタイルのおしゃれな主寝室 (ベージュの壁、無垢フローリング、茶色い床、表し梁) のインテリア

ヒューストンにある広いモダンスタイルのおしゃれな主寝室 (白い壁、無垢フローリング、茶色い床、壁紙) のインテリア

Reforma integral Sube Interiorismo www.subeinteriorismo.com Biderbost Photo
他の地域にある中くらいなトランジショナルスタイルのおしゃれな主寝室 (緑の壁、ラミネートの床、暖炉なし、茶色い床、壁紙)

ボストンにあるトランジショナルスタイルのおしゃれな寝室 (青い壁、濃色無垢フローリング、茶色い床、壁紙) のインテリア

This room needed to serve two purposes for the homeowners - a spare room for guests and a home office for work. A custom murphy bed is the ideal solution to be functional for a weekend visit them promptly put away for Monday meetings.

他の地域にある広いトランジショナルスタイルのおしゃれな主寝室 (青い壁、無垢フローリング、暖炉なし、茶色い床、羽目板の壁) のインテリア

ヒューストンにある中くらいなトランジショナルスタイルのおしゃれな寝室 (白い壁、茶色い床)

Master bedroom of modern luxury farmhouse in Pass Christian Mississippi photographed for Watters Architecture by Birmingham Alabama based architectural and interiors photographer Tommy Daspit.

ナッシュビルにある中くらいなトランジショナルスタイルのおしゃれな主寝室 (青い壁、濃色無垢フローリング、暖炉なし、茶色い床)

Interior - Bedroom Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/